Waikiki Wedding
Paramount, 1937, B/W, 89 minutes, ***
Released March, 1937

The Oscar-winning song "Sweet Leilani" is just one of the tunes in this breezy romance starring Bing Crosby as a pineapple company executive who accompanies a reluctant "Pineapple Princess" on a PR tour of the islands. With Shirley Ross, Martha Raye, Bob Burns, and Anthony Quinn as a native leader.

This film is included in the DVD Box Set (shown right), along with Double or Nothing, East Side of Heaven, If I Had My Way, and Here Come the WAVES

Adolph Zukor Presents
Produced by: Arthur Hornblow, Jr.
Directed by: Frank Tuttle
Screen Play by: Frank Butler and Don Hartman, Walter DeLeon and Francis Martin
Based on a Story by Frank Butler and Don Hartman
Musical Direction: Boris Morros
Words and Music by: Leo Robin and Ralph Rainger
"Sweet Leilani" by Harry Owens
Hawaiian Lyrics by Jimmy Lowell
Orchestrations by: Victor Young
Arrangements by: Al Siegel and Arthur Franklin
Dance Direction by: LeRoy Prinz
Hawaiian Exteriors by: Robert C. Bruce
Art Direction by: Hans Dreier and Robert Usher
Interior Decorations by: A. E. Freudeman
Costumes Designed by: Edith Head
Sound Recording: Gene Merritt and Louis Mesenkop
Photographed by: Karl Struss
Special Photographic Effects by: Farciot Edouart
Edited by: Paul Weatherwax

Awards: Academy Award for Best Song ("Sweet Leilani," Harry Owens) and Academy Award nomination for Best Dance Direction (LeRoy Prinz)

Cast: Bing Crosby [Tony Marvin], Bob "Bazooka" Burns [Shad Buggle], Martha Raye [Myrtle Finch], Shirley Ross [Georgia Smith], George Barbier [J. P. Todhunter], Leif Erickson [Victor], Grady Sutton [Everett Todhunter], Granville Bates [Uncle Herman], Anthony Quinn [Kimo], Mitchell Lewis [Koalani], George Regas [Muamua], Nick Lukats [Assistant Purser], Prince Lei Lani [Priest], Maurice Liu [Kaiaka], Raquel Echeverria [Mahina], Iris Yamaoka [Secretary], Additional Cast: Kuulei DeClercq [Lani], Nalani DeClercq [Maile], Miri Rei [Specialty Dancer], Spencer Charters [Frame], Alexander Leftwich [Harrison], Harry Stubbs [Keith], Augie Goupil [Specialty Dancer], Ralph Remley [Tomlin], Pierre Watkin [John Durkin], Jack Chapin [Photographer], Pedro Regas [Cab Driver], David Newell [Radio Operator], Emma Dunn [Tony's Mother], Robert Emmett O'Connor [Policeman], Lalo Encinas [Policeman], Sojin Jr. [Bellboy], Ray Kinney [Singer]

Musical Program: [0:00] Blue Hawaii / In a Little Hula Heaven (sung by Chorus behind titles); [0:01] Lani's Song (?) (sung by little girl and Chorus); [0:04] Nani Ona Pua (sung by Bing Crosby and Chorus); [0:13] Blue Hawaii (sung by Bing Crosby and Chorus); [0:25] Momi Pele (sung by Hawiian Mens Ensemble); [0:27] Blue Hawaii (sung in Hawiian by Chorus, joined by Shirley Ross and Bing Crosby singing in English); [0:39] Sweet Leilani (sung by Bing Crosby and Chorus, danced by Hawaiian girls); [0:43] Hawiian drum dance (danced by male and female Hawiians); [0:45] In a Little Hula Heaven (sung by Shirley Ross, Bing Crosby and Chorus, danced by Hawaiians); [0:52] Okolehao (sung and danced by Martha Raye); [1:04] Sweet Is the Word for You (sung by Bing Crosby); [1:11] Sweet Is the Word for You (sung by Shirley Ross); "May I Have the Next Dream with You?" [outtake]; "My Secret Song" [outtake]; "The Tropical" [outtake]; "I Have Eyes" [outtake]; "You're a Blessing to Me" [outtake]; "Live a Love-Dream" [outtake]; "What Aloha Means" [outtake]; "Maile Dance" [outtake]

Wake Up and Live
20th Century-Fox, 1937, B/W, 91 minutes
Released August, 1937

A comedy based on the well-known, real-life feud between columnist Walter Winchell and bandleader Ben Bernie (both playing themselves). Singers Eddie Kane (Jack Haley) and Jean Roberts (Grace Bradley) manage to get an audition with Winchell, but things definitely go amiss when Kane faints from stage fright. Later, Eddie lands a job as tour guide at the radio station, where he meets "Wake Up and Live" advice program host Alice Huntley (Alice Faye). Learning of Eddie's botched audition, Alice suggests that he practice his act in an empty studio with a "dead" microphone. So, he does that, but unbeknownst to him the microphone is actually on, and his voice is broadcast live to the entire nation. Everyone loves the voice, now dubbed "The Phantom Troubadour," and the hunt is on to find out just who this guy is! Loads of laughs and plenty of music.

Producer: Kenneth MacGowan
Director: Sidney Lanfield
Screenplay: Harry Tugend and Jack Yellen (based on an original story by Curtis Kenyon and the book by Dorothea Brande)
Music Director: Louis Silvers
Song Score: Harry Revel and Mack Gordon
Choreography: Jack Haskell
Production Design: William S. Darling
Art Direction: Mark-Lee Kirk
Set Decoration: Thomas Little
Costume Design: Gwen Wakeling
Cinematography: Edward Cronjager
Film Editing: Robert L. Simpson

Cast: Walter Winchell [Himself], Ben Bernie [Himself], Alice Faye [Alice Huntley], Patsy Kelly [Patsy Kane], Ned Sparks [Steve Cluskey], Jack Haley [Eddie Kane], Walter Catlett [Gus Avery], Grace Bradley [Jean Roberts], Joan Davis [Spanish Dancer], Leah Ray [Cafe Singer], Miles Mander [James Stratton], Douglas Fowley [Herman], Etienne Girardot [Waldo Peebles], Barnett Parker [Foster], Paul Hurst [McCabe], Warren Hymer [First Gunman], The Condos Brothers [Specialty Dancers], Brewster Twins [Themselves], William Demarest [Attendant], John Sheehan [Attendant], George Givot [Manager], Edward Gargan [Murphy], Robert Lowery [Chauffeur], Charles Williams [Alberts], George Chandler [Janitor], Gary Breckner [Announcer], Rosemary Glosz [Singer], Elyse Knox [Nurse], Ellen Prescott [Girl], Harry Tyler [Buick Driver], George Andre Beranger [Accompanist], Ben Bernie and His Orchestra [Themselves], Buddy Clark [singing voice of Jack Haley]

Musical Program: Wake Up and Live (Alice Faye); Never in a Million Years (Buddy Clark dubbing for Jack Haley); There's a Lull in My Life (Alice Faye with Ben Bernie and His Orchestra); It's Swell of You (sung by Jack Haley; danced by The Condos Brothers); Oh, But I'm Happy (Alice Faye); I Love You Too Much, Muchacha (sung by Leah Ray, danced by Joan Davis); I'm Bubbling Over (sung by Grace Bradley and the Brewster Twins; danced by The Condos Brothers)


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Walking on Air
RKO, 1936, B/W, 70 minutes, ***
Released September, 1936

Kit Bennett (Ann Sothern) is in love, but her wealthy father doesn't approve of her choice. So she hires college student Pete Quinlan (Gene Raymond) to pretend to be her new-found love. Qinlan is to spend a weekend with Kit and her parents posing as a snobby French count. The theory is that upon meeting the count, Kit's father will think more highly of her real boyfriend. But of course, Kit ends up falling in love with Pete. Fun film!

Produced by: Edward Kaufman
Directed by: Joseph Santley
Screen Play by: Bert Kalmar, Harry Ruby, Viola Brothers Shore and Rian James
Story by: Francis M. Cockrell
"Cabin on the Hilltop" by Bert Kalmar and Harry Ruby
"My Heart Wants to Dance" and "Let's Make a Wish" Lyrics by Bert Kalmar and Sid Silvers, Music by Harry Ruby
Musical Director: Nathaniel Shilkret
Art Director: Van Nest Polglase
Associate: Al Herman
Set Dressing by: Darrell Silvera
Gowns by: Bernard Newman
Recorded by: John L. Cass
Special Effects: Vernon L. Walker
Photographed by: J. Roy Hunt
Photographic Effects: Vernon Walker
Edited by: George Hively

Cast: Gene Raymond [Pete Quinlan], Ann Sothern [Kit Bennett], Jessie Ralph [Evelyn Bennett], Henry Stephenson [Mr. Horace Bennett], George Meeker [Tom Quinlan], Gordon Jones [Joe], Maxine Jennings [Flo Quinlan], Alan Curtis [Fred Randolph], Anita Colby [Ex-Mrs. Randolph], Patricia Wilder [Reception Girl], George Andre Beranger [Albert], Charles Coleman [Butler]

Musical Program: [0:10] Cabin on the Hilltop (sung by "Siegfried Oglethorpe"); [0:13] Cabin on the Hilltop (sung by Gene Raymond); [0:36] My Heart Wants to Dance (sung by unidentified male trio and unidentified female trio); [0:39] Let's Make a Wish (sung by Gene Raymond and Ann Sothern, then sung by the unidentified male trio and female trio); [0:54] Let's Make a Wish (sung by Gene Raymond); [1:00] Cabin on the Hilltop (sung by Gene Raymond accompanied by unidentified male quartet); [1:04] My Heart Wants to Dance (sung by Gene Raymond); [1:08] My Heart Wants to Dance (excerpt sung offscreen by the male and female vocal groups at end of film)

Way Down South
Sol Lesser's Principal Productions / RKO, 1939, B/W, 60 minutes, ***
Released July, 1939

When Tim Reid's (Bobby Breen) father dies unexpectedly, his executor Martin Dill (Edwin Maxwell) moves in and immediately begins plans for "reducing expenses" of the plantation by selling off all assets he deems unneccessary for operation, in spite of Tim and Uncle Caton's objections. Mr. Reid had always made a point of not selling the slaves, and Mr. Dill wishes to sell half of them. What Tim and Caton don't know is that Dill plans to pocket the profits from the sale and leave the country. But what can a minor and a slave do to save the plantation and stop the sale of the slaves?

This film provides an interesting glimpse into the antebellum South and the plight of the slaves. Co-written by Clarence Muse, the story includes emotionally laden scenes of slaves working in the fields, a prayer meeting prior to the sale and a scene where the slaves are being separated for sale - family members, children, married couples - all for the sake of a greedy man's profit. The Hall Johnson Choir provides background vocals for the slave scenes. The music is wonderful, and the story is sometimes heart-wrenching, sometimes humorous. Definitely worth watching!!

Produced by: Sol Lesser
Directed by: Bernard Vorhaus
Assistant Director: John Sherwood
Original Story and Screenplay by: Clarence Muse and Langston Hughes
Musical Direction: Victor Young
Vocal Arrangements: Hall Johnson
Songs: "Louisiana," "Good Ground" by Clarence Muse and Langston Hughes
Art Director: Lewis J. Rachmil
Wardrobe: Albert Deanno
Sound Technician: Richard Van Hessen
Photography: Charles Schoenbaum
Film Editor: Arthur Hilton

Cast: Bobby Breen [Tim Reid], Alan Mowbray [Jacques Bouton], Ralph Morgan [Timothy Reid], Steffi Duna [Pauline], Clarence Muse [Uncle Caton], Sally Blane [Claire], Edwin Maxwell [Martin Dill], Charles Middleton [Cass], Robert Greig [Judge Ravenal], Lillian Yarbo [Janie], Matthew "Stymie" Beard [Gumbo], Willie Best [Chimney Sweep], Hall Johnson Choir [Themselves]

Musical Program: [0:00] Peter, Go Ring Dem Bells (sung by Hall Johnson Choir behind titles); [0:09] Oh Dem Golden Slippers (excerpt sung by Clarence Muse, Bobby Breen and Ralph Morgan); [0:11] Good Ground (sung by the Hall Johnson Choir for Slaves singing and dancing onscreen); [0:35] Louisiana (sung by Bobby Breen onscreen with the Hall Johnson Choir offscreen); [0:37] Some Folks (Bobby Breen and party guests at Bouton's); [0:42] Nobody Pray (sung by the Hall Johnson Choir for Slaves at prayer meeting onscreen); [0:45] Sometimes I Feel Like a Motherless Child (sung by Bobby Breen with the Hall Johnson Choir); [1:00] Good Ground (reprised by the Hall Johnson Choir for Slaves onscreen)

We're Not Dressing
Paramount, 1934, B/W, 74 minutes
Released April, 1934

Laughter, music and romance fill the screen in this shipwrecked feast of fun and enchantment that brings together a host of Hollywood's favorite talents.

Bing Crosby stars as Stephen Jones, a singing deckhand who works on the yacht of rich and beautiful Doris Worthington (Carole Lombard), over whom he is all atwitter. Among the other passengers on the wealthy heiress' yacht are Edith (Ethel Merman) and her tipsy friend Hubert (Leon Errol) and the hilarious George Burns and Gracie Allen. When the yacht has a bump with the ravages of nature, the whole bunch ends up shipwrecked on an island and is forced to fend for themselves. While Burns and Allen think flora and fauna are a vaudeville team, Jones comes to the rescue with his good natured knowledge and his comforting crooning. Despite some fears and misunderstandings, Jones is able to win the girl, save the day, and sing some sensational songs to boot!

Musical numbers include "Love Thy Neighbor," "May I?," "Once in a Blue Moon" and "She Reminds Me of You." Don't miss this wonderfully funny, heart-winning and entertaining film.   [from back of VHS sleeve]

Producer: Benjamin Glazer
Directed by: Norman Taurog
Screen Play by: Horace Jackson, Francis Martin and George Marion, Jr.
Based on Stories by: Walton Hall Smith and Benjamin Glazer
Lyrics and Music by: Mack Gordon and Harry Revel
Art Direction: Hans Dreier, Ernst Fegte
Special Effects: Barney Wolff
Photographed by: Charles Lang
Film Editing: Stuart Heisler

Cast: Bing Crosby [Stephen Jones], Carole Lombard [Doris Worthington], George Burns [George], Gracie Allen [Gracie], Ethel Merman [Edith], Leon Errol [Hubert], Ray Milland [Prince Michael], Jay Henry [Prince Alexander], Additional Cast: John Irwin [Old Sailor], Charles Morris [Captain], Ben Hendricks Jr. [1st Ship's Officer], Ted Oliver [2nd Ship's Officer], Ernie Adams [Sailor], Stanley Blystone [Doris' Officer]

Musical Program: [0:00] Overture: (played by Orchestra behind titles); [0:01] Sailor's Chanty (It's a Lie) (sung by Bing Crosby and Chorus); [0:04] It's Just a New Spanish Custom (sung and danced by Ethel Merman and Leon Errol); [0:08] I Positively Refuse to Sing (sung by Bing Crosby); [0:11] Goodnight, Lovely Little Lady (just a few bars sung by Bing Crosby); [0:13] May I (sung by Bing Crosby); [0:16] Goodnight, Lovely Little Lady (just a few bars sung by Bing Crosby); [0:20] She Reminds Me of You (sung by Bing Crosby); [0:26] Goodnight, Lovely Little Lady (sung by Bing Crosby); [0:40] Love Thy Neighbor (sung by Bing Crosby); [0:43] Let's Play House (sung by Ethel Merman and Leon Errol); [0:44] Love Thy Neighbor (continued by Bing Crosby); [0:51] May I (reprised by Bing Crosby); [1:02] Once in a Blue Moon (sung by Bing Crosby); [1:12] Goodnight, Lovely Little Lady (excerpt sung by Bing Crosby at end of movie)

Wee Willie Winkie
(aka "Rudyard Kipling's Wee Willie Winkie")
20th Century-Fox, 1937, B/W, 100 minutes, ***
Released July, 1937

Shirley Temple becomes a little soldier serving the Queen in this blend of comedy and wartime drama based on a story by Rudyard Kipling and directed by John Ford. Born in America, Priscilla Williams (Shirley) arrives in India to live with her grandfather, a crusty old colonel she's never met. Life on an army post isn't easy and the colonel isn't used to having a little girl around, but Priscilla quickly earns the affection of everyone she meets, including the local rebel leader, Khoda Khan (Cesar Romero), and tough Sgt. MacDuff (Victor McLaglen). To win her grandfather's approval, she tries to become a soldier, donning a uniform and drilling with the troops. When all out war threatens, Shirley proves just how good a soldier she is, by showing the adults that avoiding senseless bloodshed isn't nearly as hard as they think. Through it all, Shirley is front and center - and a utter delight - as Private Wee Willie Winkie.  [from back of VHS sleeve]

In Charge of Production: Darryl F. Zanuck
Associate Producer: Gene Markey
Directed by: John Ford
Screen Play by: Ernest Pascal and Julien Josephson
Based upon the story by Rudyard Kipling
Music Score by: Alfred Newman
Art Direction: William Darling, David Hall
Set Decorations by: Thomas Little
Costumes: Gwen Wakeling
Sound: Eugene Grossman, Roger Heman
Photography: Arthur Miller
Film Editor: Walter Thompson

Awards: Academy Award nomination for Best Interior Decoration (William S. Darling and David Hall)

Cast: Shirley Temple [Priscilla Williams], Victor McLaglen [Sergeant MacDuff], C. Aubrey Smith [Colonel Williams], June Lang [Joyce Williams], Michael Whalen [Coppy (Lieut. Brandes)], Cesar Romero [Khoda Khan], Constance Collier [Mrs. Allardyce], Douglas Scott [Mott], Gavin Muir [Captain Bibberbeigh], Willie Fung [Mohammet Dihn], Brandon Hurst [Bagby], Lionel Pape [Major Allardyce], Clyde Cook [Pipe Major Sneath], Lauri Beatty [Elsie Allardyce], Lionel Braham [Major-General Hammond], Mary Forbes [Mrs. MacMonachie], Cyril McLaglen [Corporal Tummel], Pat Somerset [Officer], Hector Sarno [Driver], Additional Cast: Jack Pennick [Soldier Guard], George Hassell [MacMonachie], Noble Johnson [Sikh Policeman], Scotty Mattraw [Merchant], Louis Vincenot [African Chieftain]

Musical Program: [0:55] several unidentified instrumentals played in background at dance, including Auld Lang Syne (waltz arrangement played by band at dance, danced by Joyce Williams and Michael Whalen and other couples); [1:17] Auld Lang Syne (sung by Shirley Temple at Victor McLaglen's deathbed); [1:19] funeral dirge played on bagpipes; [1:39] Auld Lang Syne (instrumental arrangement played by Orchestra behind end credits); There is a lot of bagpipe music played by the British troops -- the military equivalent of bugle calls, I assume.

Week-End in Havana
20th Century-Fox, 1941, Color, 80 minutes, ***½
Released October, 1941

In this "lilting musical" with "intriguing twists" (Hollywood Reporter), a salesgirl (Alice Faye) threatens to cause trouble when her cruise ship runs aground and her vacation is ruined. As compensation, she soon gets a free first class Havana holiday with the ship owner's future son-in-law (John Payne) - as well as some unexpected attention from a conniving gambler (Cesar Romero) and his girlfriend (Carmen Miranda).

Week-End in Havana marked the third time that Alice Faye co-starred with John Payne. The film helped establish them as one of the popular romantic film duos of the day.   [from back of VHS sleeve]

One of my favorite Alice Faye movies. John Payne and Alice Faye are great together. Really funny film! "Tropical Magic" is a musical standout. The DVD is beautiful restoration and is beautifully packaged!! [JJ]

Produced by: William LeBaron
Directed by: Walter Lang
Original Screen Play by: Karl Tunberg and Darrell Ware
Lyrics and Music by: Mack Gordon and Harry Warren
Musical Direction: Alfred Newman
Dances Staged by: Hermes Pan
Art Direction: Richard Day, Joseph C. Wright
Set Decorations: Thomas Little
Costumes: Gwen Wakeling
Makeup Artist: Guy Pearce
Sound: E. Clayton Ward, Roger Heman
Director of Photography: Ernest Palmer
Photographed in Technicolor
Technicolor Director: Natalie Kalmus
Associate: Morgan Padelford
Film Editor: Allen McNeil

Cast: Alice Faye [Nan Spencer], Carmen Miranda [Rosita Rivas], John Payne [Jay Williams], Cesar Romero [Monte Blanca], Cobina Wright, Jr. [Terry McCracken], George Barbier [Walter McCracken], Sheldon Leonard [Boris], Leonid Kinskey [Rafael], Chris-Pin Martin [Driver], Billy Gilbert [Arbolado], Hal K. Dawson [Mr. Marks], William Davidson [Captain Moss], Maurice Cass [Tailor], Leona Roberts, Harry Hayden [Passengers], Additional Cast: Hugh Beaumont [Officer], Major Sam Harris [Gambler], The Carmen Miranda Band [Band in Nightclub], Nacho Galindo [Vocals]

Musical Program: [0:00] Overture (played by Orchestra behind titles); [0:02] A Weekend in Havana (sung by Carmen Miranda and Chorus with the Carmen Mirand Band, strains used in background score throughout film); [0:11] A Weekend in Havana (sung by Chorus behind montage of Havana scenes); [0:17] Rebola a Bola (Embolada) (sung by Carmen Miranda with the Carmen Miranda Band); [0:19] When I Love I Love (sung by Carmen Miranda with the Carmen Miranda Band); [0:22] Tropical Magic (sung in Spanish by male trio at nightclub, then sung in English by Alice Faye); [0:39] Romance and Rhumba (sung by Alice Faye, Cesar Romero and Chorus, danced by Alice Faye, Cesar Romero and nightclub partrons); [0:46] The Man with the Lollipop Song (excerpt sung by Nacho Galindo -- unfortunately, this number was trimmed); [0:49] Tropical Magic (reprised by Alice Faye and John Payne in a donkey cart); [1:14] The Nango (Nyango) (sung by Carmen Miranda and Chorus with the Carmen Miranda Band, danced by Carmen Miranda, Chorus Girls and some of the nightclub patrons); [1:19] Finale: A Weekend in Havana (sung by Carmen Miranda, Cesar Romero, Alice Faye, John Payne and Chorus)

Welcome Stranger
Paramount, 1947, B/W, 107 minutes
Released June, 1947

Stars Bing Crosby and Barry Fitzgerald reunited [after Going My Way], albeit with a different calling, in this tune-filled tale of a small town whose veteran doctor is at first put off by the arrival of his new colleague, who has a habit of breaking into song. Joan Caufield co-stars.

Producer: Sol C. Siegel
Director: Elliott Nugent
Screenplay: Arthur Sheekman
Musical Score: Robert Emmett Dolan
Song Score: James Van Heusen and Johnny Burke
Dance Director: Billy Daniels
Art Direction: Hans Dreier, Franz Bachelin
Set Decoration: Sam Comer, John MacNeil
Costume Design: Edith Head
Sound: Stanley Cooley, Joel Moss
Cinematography: Lionel Lindon
Film Editing: Everett Douglas

Cast: Bing Crosby [Dr. Jim Pearson], Joan Caulfield [Trudy Mason], Barry Fitzgerald [Dr. Joseph McRory], Wanda Hendrix [Emily Walters], Frank Faylen [Bill Walters], Elizabeth Patterson [Mrs. Gilley], Robert Shayne [Roy Chesley], Larry Young [Dr. Ronnie Jenks], Elliott Nugent [Dr. White], Percy Kilbride [Nat Dorkas], Charles Dingle [Charlie Chesley], Don Beddoe [Mort Elkins], Thurston Hall [Congressman Beeker], Lillian Bronson [Miss Lennek], Mary Field [Secretary], Paul Stanton [Mr. Daniels], Pat McVey [Ed Chanock], Milton Kibbee [Ben the Bus Driver], Clarence Muse [Clarence the Steward], Charles Middleton [Farmer Pinkett], Margaret Field [Cousin Hattie], Erville Alderson [Train Companion], John Westley [Mr. Cartwright], Edward Clark [Mr. Weaver], Ethel Wales [Mrs. Sims], Frank Ferguson [Mr. Crane], Bea Allen [Telephone Operator], Gertrude W. Hoffman [Miss Wendy], Douglas Wood [Mr. Tilson], Fred Datig, Jr. [Al], John Ince, Franklyn Farnum [Friends], Clarence Nordstrom [Man], Brandon Hurst [Man], Julia Faye [Woman], John "Skins" Miller [Citizen]

Musical Program: Smile Right Back at the Sun (Bing Crosby); Country Style (sung by Bing Crosby, danced by Ensemble); My Heart Is a Hobo (Bing Crosby); As Long As I'm Dreaming (Bing Crosby)

The West Point Story
(aka Fine and Dandy)
Warner Bros., 1950, B/W, 107 minutes, ***½
Released December, 1950

Yankee Doodle Dandy Academy Award winner James Cagney puts on his dancing shoes again for this merry musical comedy packed with spirited starpower and lively tunes by Jule Styne and Sammy Cahn.

Cagney's Broadway showman is down on his luck yet full of hotshot ideas. Brought to West Point to stage the cadets' annual musical, he decides to make it a tryout for a Broadway transfer. But first, he must lure the show's talented lead (Gordon MacRae) out of the military. He's got just the right bait: a sweet-natured Hollywood star (Doris Day). Virginia Mayo and Gene Nelson also star alongside the irrepressible Cagney, who's "in rare good form, singing, dancing and wisecracking in his most electrifying style" (Bosley Crowther, The New York Times).
[from back of DVD case]

Produced by: Louis F. Edelman
Directed by: Roy Del Ruth
Screen Play by: John Monks Jr., Charles Hoffman and Irving Wallace
From a Story by by Irving Wallace ("Classmates")
Original Songs: Music by Jule Styne, Lyrics by Sammy Cahn
Musical Direction: Ray Heindorf
Orchestrations: Frank Perkins
Vocal Arrangements: Hugh Martin
Dance Numbers Directed by: LeRoy Prinz
Staged by: Eddie Prinz and Al White
James Cagney's Dances Created by Johnny Boyle, Jr.
Technical Adviser: Col. William G. Proctor
Art Director: Charles H. Clarke
Set Decorator: Armor E. Marlowe
Wardrobe by: Milo Anderson, Marjorie Best
Sound by: Francis J. Scheid
Director of Photography: Sid Hickox
Special Effects by: Edwin DuPar
Film Editor: Owen Marks

Cast: James Cagney [Elwin Bixby], Virginia Mayo [Eve Dillon], Doris Day [Jan Wilson], Gordon MacRae [Tom Fletcher], Gene Nelson [Hal Courtland], Alan Hale, Jr. [Bull Gilbert], Roland Winters [Harry Eberhart], Raymond Roe [Bixby's "Wife"], Wilton Graff [Lt. Col. Martin], Jerome Cowan [Jocelyn], Frank Ferguson [Commandant], Russ Saunders [Acrobat], Jack Kelly [Officer-in-Charge], Glenn Turnbull [Hoofer], Walter Ruick [Piano Player], Luther Crockett [Senator], Victor Desney [French Attache], Wheaton Chambers [Secretary], James Dobson, Joel Marston, Bob Hayden, DeWitt Bishop, John Hedloe, Don Shartel, James Young [Cadets], Bonnie Lou Williams [singing voice of Virginia Mayo]

Musical Program: [0:00] Hail Alma Mater (sung by Chorus behind titles); [0:01] It's Raining Sundrops (excerpt sung by Chorus; danced by James Cagney, Virginia Mayo and Chorus in rehearsal); [0:13] One Hundred Days 'Til June (sung by Gordon MacRae and Chorus); [0:16] By the Kissing Rock (sung by Gordon MacRae; danced by MacRae, Alan Hale, Jr. and Chorus); [0:18] By the Kissing Rock (sung and danced by James Cagney and Virginia Mayo, Bonnie Lou Williams dubbing for Virginia Mayo); [0:20] Long Before I Knew You (sung by Gordon MacRae, danced by Gene Nelson); [0:36] Long Before I Knew You (instrumental danced by Gene Nelson); [0:44] Ten Thousand Four Hundred Thirty-Two Sheep (sung by Doris Day and Mens' Chorus); [0:54] The Military Polka (sung by Doris Day, Gordon MacRae and Chorus; danced by Doris Day, James Cagney, Virgina Mayo, Gene Nelson and Chorus); [0:59] You Love Me (sung by Gordon MacRae); [1:03] By the Kissing Rock (reprised by Gordon MacRae and Doris Day); [1:10] The Corps (spoken by Gordon MacRae, sung by Chorus); [1:20] The Toy Trumpet (instrumental danced by Gene Nelson and Chorus); [1:31] Semper Fidelis (marched by Cadets); [1:32] The Toy Trumpet (instrumental danced by Chorus); [1:33] You Love Me (reprised by Gordon MacRae, joined by Doris Day); [1:37] B 'Postrohe K No 'Postrophe Lyn (sung and danced by James Cagney and Chorus); [1:39] It Could Only Happen in Brooklyn (sung by James Cagney, danced by James Cagney and Virginia Mayo; sung and danced by Cagney and Chorus); [1:44] This Is the Finale (sung and danced by Cast and Chorus, includes short reprisals of several songs from the score)

Winner of ten Academy Awards, this electrifying musical sets the ageless tragedy of Romeo and Juliet against the backdrop of gang warfare in the slums of New York in the late 1950s. Leonard Bernstein and Stephen Sondheim's unforgettable score ("Maria," "In America," "Tonight") and Jerome Robbins' exuberant choreography are woven with a mix of realism and fantasy to capture the tale with heart-breaking richness.

Natalie Wood plays Maria, whose first taste of love is fated for tragedy amidst the vicious rivalry of two street gangs - the Jets and the Sharks - one Anglo, one Puerto Rican. Along with Richard Beymer as her devoted lover, the gifted young cast also features Rita Moreno and George Chakiris - both of whom won Oscars for their supporting roles.

West Side Story clearly set a standard that remains to this day unsurpassed in movie musicals.  [from back of VHS sleeve]

Is this the best movie musical ever made? It is certainly one of the very best! A modern-day "Romeo and Juliet;" a modern-day American tragedy that would be great even without the music. But with the music, it packs an incredible punch! All of the music is wonderful, but the big hits were "Maria," "America," "Tonight," "I Feel Pretty," and "One Hand, One Heart."

I've been listening to this soundtrack since sometime in the early 1960s, and to this day it still gives me goose bumps -- definitely some of the best music of all time! [JJ]

MGM Classic Musicals Collection DVD Box Set (shown right) contains this film and Guys and Dolls, Fiddler on the Roof, A Funny Thing Happened on the Way to the Forum, How to Succeed in Business Without Really Trying, Chitty Chitty Bang Bang.

Produced by: Robert Wise
Associate Producer: Saul Chaplin
Directed by: Robert Wise and Jerome Robbins
Assistant Director: Robert E. Relyea
Screenplay by: Ernest Lehman
Based upon the Stage Play Produced by Robert E. Griffith and Harold S. Prince by arrangement with Roger L. Stevens; Book by Arthur Laurents, Music by Leonard Bernstein, Lyrics by Stephen Sondheim; Play Conceived, Directed and Choreographed by Jerome Robbins
Music by: Leonard Bernstein
Lyrics by: Stephen Sondheim
Orchestrations: Sid Ramin, Irwin Kostal
Musical Supervision: Saul Chaplin, Johnny Green, Sid Ramin, Irwin Kostal
Musical Assistant: Betty Walberg
Choreography by: Jerome Robbins
Music Conducted by: Johnny Green
Production Designed by: Boris Leven
Set Decorator: Victor Gangelin
Costumes Designed by: Irene Sharaff
Make-up: Emile La Vigne
Hairdresser: Alice Monte
Sound by: Murray Spivack, Fred Lau, Vinton Vernon
Director of Photography: Daniel L. Fapp
Photographic Effects: Linwood Dunn
Filmed in Technicolor, Panavision 70
Film Editing: Thomas Stanford

Awards: Academy Awards for Best Picture, Best Supporting Actor (George Chakiris), Best Supporting Actress (Rita Moreno), Best Director, Best Color Cinematography (Daniel L. Fapp), Best Film Editing (Thomas Stanford), Best Score - Musical (Saul Chaplin, Johnny Green, Sid Ramin and Irwin Kostal), Best Art Direction/Set Decoration - Color (Boris Leven and Victor A. Gangelin), Best Costume Design - Color (Irene Sharaff) and Best Sound (Fred Hynes and Gordon E. Sawyer); Academy Award nomination for Best Adapted Screenplay (Ernest Lehman)

Ranked #41 in the AFI 100
Ranked #2 in the AFI's Greatest Movie Musicals

Cast: Natalie Wood [Maria], Richard Beymer [Tony], Russ Tamblyn [Riff], Rita Moreno [Anita], George Chakiris [Bernardo ('Nardo)], Simon Oakland [Schrank], Ned Glass [Doc], William Bramley [Krupke], Jets: Tucker Smith [Ice], Tony Mordente [Action], David Winters [A-Rab], Eliot Feld [Baby John], Burt Michaels [Snowboy], David Bean [Tiger], Robert Banas [Joyboy], Scooter Teague [Big Deal], Harvey Hohnecker [Mouthpiece], Tommy Abbott [Gee-Tar], Their Girls: Susan Oakes [Anybodys], Gina Trikonis [Graziella], Carole D'Andrea [Velma], Sharks: Jose De Vega [Chino], Jay Norman [Pepe], Gus Trikonis [Indio], Eddie Verso [Juano], Jaime Rogers [Loco], Larry Roquemore [Rocco], Robert Thompson [Luis], Nick Covacevich [Toro], Rudy Del Campo [Del Campo], Andre Tayir [Chile], Their Girls: Yvonne Othon [Consuelo], Suzie Kaye [Rosalia], Joanne Miya [Francisca], Additional Cast: John Astin [Glad Hand], Penny Santon [Mme. Lucia], Tucker Smith [singing voice for Russ Tamblyn], Jim Bryant [singing voice for Richard Beymer], Marni Nixon [singing voice for Natalie Wood], Betty Wand [singing voice for Rita Moreno in one scene]

Musical Program: [0:00] Prologue (played by Orchestra before movie starts); [0:05] Overture (played by Orchestra behind opening scene, danced by The Jets and The Sharks); [0:20] The Jet Song (sung by Tucker Smith dubbing for Russ Tamblyn and The Jets); [0:26] Something's Coming (sung by Jim Bryant dubbing for Richard Beymer); [0:31] Dance at the Gym / Maria (played by Orchestra, danced by the kids); [0:44] Maria (sung by Jim Bryant dubbing for Richard Beymer); [0:49] America (sung and danced by Rita Moreno, George Chakiris, The Sharks and Girls); [0:57] Tonight (sung by Jim Bryant dubbing for Richard Beymer and Marni Nixon dubbing for Natalie Wood); [1:06] Gee Officer Krupke (performed by Russ Tamblyn and The Jets); [1:20] Intermission ("I Feel Pretty" played by Orchestra); [1:23] I Feel Pretty (sung and danced by Marni Nixon dubbing for Natalie Wood, Yvonne Othon, Suzie Kaye and Jo Anne Miya); [1:32] One Hand, One Heart (sung by Jim Bryant dubbing for Richard Beymer and Marni Nixon dubbing for Natalie Wood); [1:34] Quintet (sung by Jim Bryant dubbing for Richard Beymer, Marni Nixon dubbing for Natalie Wood, Rita Moreno [partially dubbed by Marni Nixon], The Jets and The Sharks); [1:42] The Rumble (played by Orchestra); [1:46] Maria (instrumental arrangement played by Orchestra, danced by Natalie Wood); [1:50] Somewhere (sung by Jim Bryant dubbing for Richard Beymer and Marni Nixon dubbing for Natalie Wood); [1:57] Cool (sung and danced by Tucker Smith dubbing for Russ Tamblyn and The Jets); [2:06] A Boy Like That / I Have a Love (sung by Betty Wand dubbing for Rita Moreno and Marni Nixon dubbing for Natalie Wood); [2:24] Somewhere (played by Orchestra in final scene); [2:27] Medley of song score (played by Orchestra behind end credits)

When the Boys Meet the Girls
Four Leaf / MGM, 1965, Color, 97 minutes, **½
Released October, 1965

Yet another remake of Girl Crazy, but modified with contemporary setting and characters. Ginger's (Connie Francis) alcoholic father owns a ranch in Nevada, but he's going broke. Millionaire Presnell converts the ranch into a getaway for divorcees waiting for their divorces to become final.

Take a bit of Gershwin, throw in some Jazz and a bit of Rock, and what do you get? A real mish-mash of music. I have wide musical tastes, but I find this mixture a bit surprising... Arrangements of the Gershwin tunes range from "standard" to rock. The film is a quite a collection of good music, but its presentation is somewhat bizarre.

Produced by: Sam Katzman
Directed by: Alvin Ganzer
Assistant Director: Eddie Saeta
Screen Play by: Robert E. Kent
Based on the Musical Play "Girl Crazy" (by Guy Bolton and John McGowan)
Music Scored and Conducted by: Fred Karger
Songs: "But Not for Me," "Embraceable You," "Treat Me Rough," "I Got Rhythm," "Bidin' My Time" Words by Ira Gershwin, Music by George Gershwin; "Listen People" by Graham Gouldman; "Throw It Out of Your Mind" by Louis Armstrong and Bill Kyle; "Monkey See, Monkey Do" by Johnny Farrow; "Mail Call" by Fred Karger, Ben Weisman and Sid Wayne; "When the Boys Meet the Girls" by Jack Keller and Howard Greenfield; "Aurba Liberace" by Liberace
Choreography by: Earl Barton
Art Directors: George W. Davis and Eddie Imazu
Set Decorators: Henry Grace, Keogh Gleason
Make-Up by: William Tuttle
Hair Styles by: Sydney Guilaroff
Recording Supervisor: Franklin Milton
Director of Photography: Paul C. Vogel
Special Visual Effects: J. McMillan Johnson and Carroll L. Shepphird
In Panavision and Metrocolor
Film Editor: Ben Lewis

Cast: Connie Francis [Ginger], Harve Presnell [Danny], Herman's Hermits [Themselves], Louis Armstrong [Himself], Sam the Sham and the Pharaohs [Themselves], Liberace [Himself], Sue Ane Langdon [Tess], Fred Clark [Bill], Frank Faylen [Phin], Joby Baker [Sam], Hortense Petra [Kate], Stanley Adams [Lank], Romo Vincent [Pete], Susan Holloway [Delilah], Russ Collins [Stokes], William T. Quinn [Dean of Cody], Pepper Davis & Tony Reese [Themselves], Additional Cast: Patti Moore [Divorcee], The Standells [Themselves]

Musical Program: [0:00] When the Boys Meet the Girls (sung by Connie Francis behind titles); [0:02] Monkey See, Monkey Do (sung by Sam the Sham and the Pharaohs, danced by two guys in drag); [0:05] Treat Me Rough (sung and danced by Sue Ane Langdon and Girls Chorus); [0:16] Embraceable You (sung by Harve Presnell); [0:24] Throw it Out of Your Mind (sung by Louis Armstrong); [0:38] Mail Call (sung by Connie Francis); [0:42] Listen People (sung by Herman's Hermits); [0:45] It's All in Your Mind (sung by The Standells, danced by club patrons); [0:50] Bidin' My Time (sung by Herman's Hermits); [0:55] I Got Rhythm (sung and danced by Connie Francis, Harve Presnell and Chorus); [1:06] Embraceable You (sung by Connie Francis); [1:13] Aruba Liberace (played by Liberace at the piano with bongos and maracas played by accompanying musicians); [1:17] Treat Me Rough (sung by Sue Ane Langdon); [1:22] But Not for Me (sung by Connie Francis and Harve Presnell); [1:25] Treat Me Rough (reprised by Sue Ane Langdon); [1:35] I Got Rhythm (short reprisal by Louis Armstrong at end of film)


Original soundtrack album

Where the Boys Are
Euterpe / MGM, 1960, Color, 99 minutes, ***
Released December, 1960

The original fun-in-the-sun romp, as four young gals head to pleasurable Fort Lauderdale during Easter vacation for tans, music and boys. Connie Francis, Paula Prentiss, Yvette Mimieux, Dolores Hart, Jim Hutton and George Hamilton star.

Produced by: Joe Pasternak
Directed by: Henry Levin
Assistant Director: Al Jennings
Screen play by: George Wells
Based on the Novel by Glendon Swarthout
Music: George Stoll
Original Dialectic Jazz by: Pete Rugolo
Songs: "Where the Boys Are," "Turn on the Sunshine" Words by Howard Greenfield, Music by Neil Sedaka (Courtesy Nevins-Kirshner); "Have You Met Miss Fandango?" Words by Stella Unger, Music by Victor Young
Choreograper: Robert Sidney
Art Directors: George W. Davis and Preston Ames
Set Decorations: Henry Grace, Hugh Hunt
Women's Costumes: Kitty Mager
Hair Styles by: Mary Keats
Make-Up by: William Tuttle
Recording Supervisor: Franklin Milton
Director of Photography: Robert Bronner
Special Effects: Lee LeBlanc
In CinemaScope and Metrocolor
Color Consultant: Charles K. Hagedon
Film Editor: Fredric Steinkamp

Cast: The Girls: Dolores Hart [Merritt Andrews], Yvette Mimieux [Melanie], Barbara Nichols [Lola], Paula Prentiss [Tuggle Carpenter], Connie Francis (film debut) [Angie], The Boys: Rory Harrity [Franklin], John Brennan [Dill], Ted Berger [Stout Man], George Hamilton [Ryder Smith], Frank Gorshin [Basil], Jim Hutton [TV Thompson], Additional Cast: Chill Wills [Police Captain], Vito Scotti [Maitre d']

Musical Program: [0:00] Where the Boys Are (sung by Connie Francis behind titles); [0:35] Limbo-Rak-Dance (several short excerpts performed by Students at the beach); [0:39] Easy to Love (instrumental arrangement played by orchestra at night club); [0:46] The Nuclear Love Song (played by the Basil Demmot Komos Quintet); [0:47] A Meeting Between Shakespeare and Satchel Paige on Hampstead Heath (played by the Basil Demmot Komos Quintet); [0:59] Turn on the Sunshine (sung by Connie Francis with the Basil Demmot Komos Quintet); [1:04] Jazz concert on the beach (played by the Basil Demmot Komos Quintet); [1:17] Have You Met Miss Fandango (sung by Barbara Nichols); [1:19] Don't Litter the Streets of Philadelphia (played by the Basil Demmot Komos Quintet); [1:37] Where the Boys Are (reprised by Connie Francis at end of film)

White Christmas
(aka "Irving Berlin's White Christmas")
Paramount, 1954, Color, 120min, ***½
Released October, 1954

White Christmas is a treasury of Irving Berlin classics, among them "Count Your Blessings Instead of Sheep," "Sisters," "Blue Skies" and the beloved holiday song, "White Christmas."

Two talented song-and-dance men (Bing Crosby and Danny Kaye) team up after the war to become one of the hottest acts in show business. One winter, they join forces with a sister act (Rosemary Clooney and Vera-Ellen) and trek to Vermont for a White Christmas. Of course, there's the requisite fun with the ladies, but the real adventure starts when Crosby and Kaye discover that the inn is run by their old army general who's now in financial trouble. And the result is the stuff dreams are made of.
[from back of VHS sleeve]

Supposedly a remake of Holiday Inn, but there's not much resemblance to the original. It's an entertaining movie, though, and it has some really good music in it. And it became a Christmas classic. Definitely worth watching! Rosemary Clooney and Vera-Ellen's "Sisters" is a definite high-point of the film.

Produced by: Robert Emmett Dolan
Directed by: Michael Curtiz
Assistant Director: John Coonan
Written for the Screen by: Norman Krasna, Norman Panama, Melvin Frank
Lyrics and Music by: Irving Berlin
Music Direction and Vocal Arrangements by: Joseph J. Lilley
Orchestral Arrangements by: Van Cleave
Music Associate: Troy Sanders
Dances and Musical Numbers Staged by: Robert Alton
Art Direction: Hal Pereira and Roland Anderson
Set Decoration: Sam Comer and Grace Gregory
Costumes: Edith Head
Makeup Supervision: Wally Westmore
Sound Recording by: Hugo Grenzbach and John Cope
Director of Photography: Loyal Griggs
Special Photographic Effects: John P. Fulton
Process Photography: Farciot Edouart
Filmed in VistaVision, Color by Technicolor
Technicolor Color Consultant: Richard Mueller
Edited by: Frank Bracht

Awards: Nominated for Best Song Academy Award ("Count Your Blessings Instead of Sheep")

Cast: Bing Crosby [Bob Wallace], Danny Kaye [Phil Davis], Rosemary Clooney [Betty Haynes], Vera-Ellen [Judy Haynes], Dean Jagger [Gen. Waverly], Mary Wickes [Emma], John Brascia [Joe], Anne Whitfield [Susan], Richard Shannon [Adjutant], Grady Sutton [General's Guest], Sig Rumann [Landlord], Robert Crosson [Albert], Herb Vigran [Novello], Dick Keene [Assistant Stage Manager], Johnny Grant [Ed Harrison], Gavin Gordon [Gen. Carlton], Marcel de la Brosse [Maitre d'], James Parnell [Sheriff], Percy Helton [Conductor], Elizabeth Holmes [Fat Lady], Barrie Chase [Doris], I. Stanford Jolley [Station Master], George Chakiris [Specialty Dancer], Bess Flowers [nightclub extra], Trudy Stevens [singing voice of Vera-Ellen]

Musical Program: [0:00] Overture (played by Orchestra behind titles); [0:01] unidentified instrumental (danced by Danny Kaye and Bing Crosby); [0:03] White Christmas (sung by Bing Crosby); [0:07] The Old Man (sung by Bing Crosby, Danny Kaye and Mens Chorus); [0:11] Medley / montage: Heat Wave / Let Me Sing and I'm Happy / Blue Skies (sung by Bing Crosby and Danny Kaye); [0:20] Sisters (sung by Rosemary Clooney and Trudy Stevens dubbing for Vera Ellen); [0:27] The Best Things Happen While You're Dancing (sung by Danny Kaye and off-screen Girls Chorus, danced by Danny Kaye and Vera-Ellen); [0:34] Sisters (mimed by Bing Crosby and Danny Kaye to a recording of Rosemary Clooney and Vera Ellen [Trudy Stevens]); [0:41] Snow (sung by Bing Crosby, Danny Kaye, Rosemary Clooney and Trudy Stevens dubbing for Vera-Ellen); [0:48] Sisters (reprised by Rosemary Clooney and Trudy Stevens dubbing for Vera Ellen); [0:53] Mandy (instrumental played during dance rehearsal); [0:54] "Minstrel Number" (production number sung and danced by Bing Crosby, Danny Kaye, Rosemary Clooney and Chorus; includes a jazzed-up vocal of Mandy); [1:03] Count Your Blessings Instead of Sheep (sung by Bing Crosby joined by Rosemary Clooney); [1:11] Choreography (sung by Danny Kaye, danced by Danny Kaye, Vera-Ellen, George Chakiris and Chorus); [1:24] The Best Things Happen While You're Dancing (sung by Danny Kaye and Chorus, danced by Danny Kaye and Vera-Ellen); [1:31] "Abraham Number" (instrumental danced by Vera-Ellen and George Chakiris); [1:36] Love, You Didn't Do Right By Me (sung by Rosemary Clooney, danced by Mens Ensemble); [1:43] What Can You Do with a General (sung by Bing Crosby); [1:49] The Old Man (sung and marched by Bing Crosby and Mens Chorus); [1:52] Gee, I Wish I Was Back in the Army (sung and danced by Bing Crosby, Danny Kaye, Vera-Ellen and Rosemary Clooney; Vera-Ellen dubbed by Trudy Stevens); [1:56] Finale: White Christmas (sung by Bing Crosby, Danny Kaye, Rosemary Clooney and Trudy Stevens for Vera-Ellen, Chorus and Company; danced by Children)

Whoopee!
Goldwyn / United Artists, 1930, Color, 94min, ***
Released September, 1930

The legendary stage musical brought to the screen by none other than Florenz Ziegfeld, himself. Great showcase for the incomparable Eddie Cantor. A very young Betty Grable is in the chorus. Crazy fun!

Producers: Florenz Ziegfeld and Samuel Goldwyn
Directed by: Thronton Freeland
Story by: William Anthony McGuire
Based on Owen Davis' Play The Nervous Wreck
Screen Adaptation by: William Conselman
Music by: Walter Donaldson
Lyrics by: Gus Kahn
Musical Direction: Alfred Newman
Production Scored and Played by: George Olsen and his Music
Dances and Ensembles Staged by: Busby Berkeley
Art Direction: Richard Day
Costumes Executed by: United Costumes, Inc.
Sound Recorded by: Oscar Lagerstrom
Photography by: Lee Garmes, Ray Rennahan, Gregg Toland
Filmed in Technicolor
Film Edited by: Stuart Heisler

Awards: Academy Award nomination for Best Interior Decoration (Richard Day)

Cast: Eddie Cantor [Henry Williams], Eleanor Hunt [Sally Morgan], Paul Gregory [Wanenis], Jack Rutherford [Sheriff Bob Wells], Ethel Shutta [Mary Custer], Spencer Charters [Jerome Underwood], Chief Caupolican [Black Eagle], Albert Hackett [Chester Underwood], William H. Philbrick [Andy McNabb], Walter Law [Judd Morgan], Marian Marsh (aka Marilyn Morgan) [Harriet Underwood], Dean Jagger [Deputy], George Morgan and His Orchestra [Specialty], Betty Grable, Virginia Bruce, Muriel Finley, Jeanne Morgan, Ruth Eddings, Ernestine Mahoney, Christine Maple, Dorothy Knapp, Claire Dodd, Jane Keithly, Mary Ashcraft, Betty Stockton, Georgia Lerch [The Goldwyn Girls]

Musical Program: [0:04] Cowboys (production number sung and danced by Betty Grable and Chorus); [0:15] I'll Still Belong to You (Paul Gregory); [0:21] Makin' Whoopee (Eddie Cantor with the Goldwyn Girls); [0:26] Today's the Day (Chorus); [0:34] A Girl Friend of a Boy Friend of Mine (Eddie Cantor); [0:46] Makin' Waffles (Eddie Cantor); [0:57] My Baby Just Cares for Me (sung and danced by Eddie Cantor); [1:06] Stetson (production number sung and danced by Ethel Shutta, Men's Chorus and Goldwyn Girls); [1:19] I'll Still Belong to You (reprise, Paul Gregory); [1:24] The Song of the Setting Sun (production number sung by Chief Caupolican, danced by Goldwyn Girls); [1:32] My Baby Just Cares for Me (reprise, Eddie Cantor)


Busby Berkeley kaleidoscope shot

Wild in the Country
20th Century-Fox, 1961, Color, 114min, ***
Released June, 1961

Presley specialized in playing the bad boy, and this is Elvis at his baddest! Wild in the Country features one of the King's greatest and most overlooked roles: a rebellious back-woods delinquent gifted with a rare literary talent. Hope Lange is the sympathetic psychiatrist who tries to help Elvis, Tuesday Weld is the King's seductive cousin, and Millie Perkins portrays his childhood sweetheart.

Boasting a screenplay by Clifford Odets, this is perhaps the sexiest and most passionate of all Presley films, and includes a quartet of hit songs, including "I Slipped, I Stumbled, I Fell" and "Lonely Man." Wild in the Country is Elvis at his wildest, his baddest and his best.  [from back of VHS sleeve]

Produced by: Jerry Wald
Associate Producer: Peter Nelson
Directed by: Philip Dunne
Assistant Director: Joseph E. Rickards
Screenplay by: Clifford Odets
Based on the a Novel by: J. R. Salamanca ( The Lost Country )
Music: Kenyon Hopkins
Orchestration: Edward B. Powell
Song: "Wild in the Country" by Hugo Peretti, Luigi Creatore and George Weiss
Art Direction: Jack Martin Smith, Preston Ames
Set Decorations: Walter M. Scott, Stuart A. Reiss
Costumes Designed by: Don Feld
Makeup by: Ben Nye
Hair Styles by: Helen Turpin
Sound: Alfred Bruzlin, Warren B. Delaplain
Director of Photography: William C. Mellor
Filmed in CinemaScope, Color by De Luxe
Film Editor: Dorothy Spencer

Cast: Elvis Presley [Glenn Tyler], Hope Lange [Irene Sperry], Tuesday Weld [Noreen], Millie Perkins [Betty Lee Parsons], Rafer Johnson [Davis], John Ireland [Phil Macy], Gary Lockwood [Cliff Macy], William Mims [Uncle Rolfe], Raymond Greenleaf [Dr. Underwood], Christina Crawford [Monica George], Robin Raymond [Flossie], Doreen Lang [Mrs. Parsons], Charles Arnt [Mr. Parsons], Ruby Goodwin [Sarah], Will Corry [Willie Dace], Alan Napier [Prof. Larson], Jason Robards, Sr. [Judge Parker], Harry Carter [Bartender], Harry Shannon [Sam Tyler], Bob "Red" West [Hank Tyler], The Jordanaires [backup vocals]

Musical Program: [0:00] Wild in the Country (sung behind titles by Elvis Presley with The Jordanaires); [0:26] I Slipped, I Stumbled, I Fell (sung by Elvis Presley with The Jordanaires); [0:38] In My Way (sung by Elvis Presley with The Jordanaires); [1:15] Husky Dusty Day (sung by Elvis Presley and Hope Lange); [1:53] Wild in the Country (reprised behind end by Elvis Presley with The Jordanaires); Lonely Man (recorded for the film but not used); Forget Me Never (recorded for the film but not used); Both unused songs are included on the CD shown.

Willy Wonka and the Chocolate Factory
Paramount, 1971, Color, 100 minutes, ***
Released June, 1971

The one-and-only Willy Wonka "makes the world taste good" for a whole new generation in this magical family classic sparkling with brilliantly restored picture and sound! Also included is the all-new documentary "Pure Imagination," featuring interviews with Gene Wilder and the Wonka Kids and revealing production secrets from the movie!

When they find prized Golden Tickets inside their Wonka candy bars, five lucky children win a behind-the-scenes glimpse of the legendary candy factory run by the mysterious Willy Wonka (Gene Wilder). Now, on a whirlwind tour of Willy's incredible, edible realm of milk chocolate waterfalls, elfish Oompa-Loompas and industrial-sized sugar-coated creations, one very special boy will discover the sweetest secret of all: a generous, loving heart.   [from back of VHS sleeve]

Based on a Roald Dahl book, this music-filled fantasy includes the song "The Candy Man." Actually, I don't care for this movie at all, but I give it 3 stars for its production values and story. I think a lot of people do like it, but for some reason it just kinda gives me the willies, ha ha. [JJ]

Producers: Stan Margulies and David L. Wolper
Director: Mel Stuart
Screenplay: Roald Dahl (based on his book Charlie and the Chocolate Factory)
Music Director: Walter Scharf
Musical Score: Walter Scharf
Song Score: Leslie Bricusse and Anthony Newley
Choreography: Howard Jeffrey
Art Direction: Harper Goff
Costume Design: Helen Colvig
Sound: Karsten Ullrich
Special Effects: Logan Frazee
Cinematography: Arthur Ibbetson
Film Editing: David Saxon

Cast: Gene Wilder [Willy Wonka], Jack Albertson [Grandpa Joe], Peter Ostrum [Charlie Bucket], Michael Bollner [Augustus Gloop], Ursula Reit [Mrs. Gloop], Denise Nickerson [Violet Beauregarde], Leonard Stone [Mr. Beauregarde], Julie Dawn Cole [Veruca Salt], Roy Kinnear [Mr. Salt], Paris Themmen [Mike Teevee], Dodo Denney [Mrs. Teevee], Diana Sowle [Mrs. Bucket], Aubrey Woods [Mr. Bill], David Battley [Mr. Turkentine], Gunter Meisner [Mr. Slugworth], Peter Capell [Tinker], Werner J. Heyking [Jopeck], Ernest Ziegler [Grandpa George], Dora Altmann [Grandma Georgina], Franziska Liebing [Grandma Josephine]

Musical Program: The Candy Man (sung by Aubrey Woods); Cheer Up, Charlie (sung by Diana Sowle); I've Got a Golden Ticket (sung by Jack Alberstson and Peter Ostrum); Pure Imagination (sung by Gene Wilder; music score theme); Oompa-loompa-doompa-dee-doo (sung by the Oompa Loompas); I Want It Now (performed by Julie Dawn Cole)

Wintertime
20th Century-Fox, 1943, B/W, 82min, ***
Released September, 1943

Cornel Wilde and Jack Oakie run the Chateau Promenade, a hotel that is nearly bankrupt. When Oakie hears that the wealthy Mr. Ostgaard is arriving in the area and plans to stay at another hotel, he arranges to have them picked up at the train station and brought to the Chateau Promenade. They have heard a rumor that when staying at some other hotel, one of the bell boys made Ostgaard angry, and he bought a majority interest in the hotel just to fire the bell boy. So, they set out to make Ostgaard angry so that he will invest in the Chateau Promenade. Fun film with Oakie, Romero and Sakall providing the laughs. And, of course, Sonja does some fine skating!

Produced by: William Le Baron
Directed by: John Brahm
Screen Play by: E. Edwin Moran and Jack Jevne and Lynn Starling
Story by: Arthur Kober
Lyrics and Music: Leo Robin and Nacio Herb Brown
Musical Sequences:
Supervised by: Fanchon
Staged by: Kenny Williams
Stage Settings by: Joseph Wright
Photography: Glen MacWilliams
Musical Direction: Emil Newman, Charles Henderson
Art Direction: James Basevi, Maurice Ransford
Set Decorations: Thomas Little
Associate: Walter M. Scott
Costumes: Rene Hubert
Makeup Artist: Guy Pearce
Sound: Jesse Bastian, Roger Heman
Director of Photography: Joe MacDonald
Special Photographic Effects: Fred Sersen
Film Editor: Louis Loeffler

Cast: Sonja Henie [Nora Ostgaard], Jack Oakie [Skip Hutton], Cesar Romero [Brad Barton], Carole Landis [Marion Daly], S. Z. Sakall [Uncle Ostgaard], Cornel Wilde [Freddy Austin], Woody Herman and His Orchestra [Themselves], Helene Reynolds [Flossie], Don Douglas [Jay Rogers], Geary Steffen [Jimmy, the Skating Partner], Georges Renavent [Bodreau], Matt Briggs [Russell Carter], Jean Del Val [Constable], Arthur Loft [Advertising Man], Charles Irwin [Drunk], Eugene Borden [Working Man], Muni Seroff [Working Man], Kay Linaker [Wife], Dick Elliott [Husband], Charles Trowbridge [Mr. Prentice], Nella Walker [Mrs. Prentice], Claire Whitney, Betty Roadman, Leila McIntyre, Kate Harrington [Bridge Players]

Musical Program: [0:00] Overture: "Wintertime" (played by Woody Herman and His Orchestra behind titles); [0:03] I Like It Here (sung by Cesar Romero and Helene Reynolds with Woody Herman and His Orchestra); ]0:08] Jingle Bells (jazzy instrumental arrangement played by Woody Herman and His Orchestra); [0:13] Wintertime (sung and played by Woody Herman and His Orchestra); [0:35] We Always Get Our Girl (vocal intro, instrumental arrangement skated by Sonja Henie and Geary Steffen); [0:37] Dancing in the Dawn (sung by Chorus with Woody Herman and His Orchestra); [0:41] Dancing in the Dawn (instrumental arrangement played by Orchestra, skated by Sonja Henie); [0:46] Waltz of the Flowers (from The Nutcracker) (skated by Sonja Henie and two male partners); [0:50] Chattanooga Choo Choo and several other songs (played by Woody Herman and His Orchestra in background, danced by guests of the Chateau Promenande); [1:02] Later Tonight (sung by Woody Herman with His Orchestra, beautifully danced by Sonja Henie and Cesar Romero); [1:18] Wintertime (finale, part instrumental, part sung by chorus, Skated by Sonja Henie, Geary Steffen and Skating Chorus)

For more information see:


Sonja Henie Snapshot
Visit this Class Act Sister Site!

"Susan Hayward is absolutely sensational" (L.A. Examiner) in this "enchanting" (Citizen-News) musical retelling of the extraordinary life of 1940s songstress Jane Froman. Packed with unforgettable tunes and an incredible cast, this heartwarming story of personal tragedy and triumphant recovery isn't just "vibrant, exciting and enormously entertaining" (The Hollywood Reporter), it's "a soul-stirring experience" (Citizen News)! Known for a voice with the power to move millions and a heart to match, Jane Froman (Hayward) is one of America's most beloved singers. But when an overseas flight crashes off the coast of Lisbon, Portugal, she barely survives the wreck. Ripped from the spotlight into a series of life-threatening operations, hope seems a distant memory for Froman as she sets out on a journey of recovery that's more than heroic; it's what music is made of!  [from back of DVD case]

Jane Froman prerecorded all the songs for this film, and Susan Hayward studied Froman's style of delivery and movements, then learned the songs in order to be able to lip-sync to the prerecorings and perform much as Froman would. She did such an incredible job, that she simply becomes Froman on the screen! A truly incredible performance! No musical fan should miss this one! [JJ]

Producer: Lamar Trotti
Director: Walter Lang
Screenplay: Lamar Trotti
Technical Advisor: Jane Froman
Music Director: Alfred Newman
Song Score: various
Choreography: Billy Daniel
Art Direction: Lyle Wheeler, Joseph Wright
Set Decoration: Thomas Little, Walter M. Scott
Costume Design: Charles Le Maire
Sound: Roger Heman, Arthur L. Kirbach
Special Effects: Ray Kellogg, Fred Sersen
Cinematography: Leon Shamroy
Film Editing: J. Watson Webb, Jr.

Awards: Academy Award for Best Score (Musical); Academy Award Nominations for Best Actress, Best Supporting Actress, Best Costume Design (Color), Best Sound Recording

Cast: Susan Hayward [Jane Froman], Jane Froman [Singing voice of Jane Froman], Rory Calhoun [John Burns], David Wayne [Don Ross], Thelma Ritter [Clancy], Robert Wagner [G.I. Paratrooper], Helen Westcott [Jennifer March], Una Merkel [Sister Marie], Richard Allan [Dancer], Max Showalter [Guild], Lyle Talbot [Radio Director], Leif Erickson [General], Stanley Logan [Diplomat], Frank Sully [Texas], George Offerman, Jr. [Muleface], Ernest Newton [Specialty], Bill Baldwin [Announcer], Carlos Molina [Doctor], Nestor Paiva [Doctor], Emmett Vogan [Doctor], Maude Wallace [Sister Margaret], Dick Ryan [Officer], Douglas Evans [Colonel], Beverly Thompson [USO Girl], Eddie Firestone [USO Man], Jane Froman [singing voice of Susan Hayward]

Musical Program: [0:03] With a Song in My Heart (excerpt, Jane Froman dubbing for Susan Hayward); [0:04] Hoe That Corn (Max Showalter and David Wayne); [0:08] That Old Feeling (Jane Froman dubbing for Susan Hayward); [0:14] Jim's Toasty Peanuts (commercial jingle, unidentified trio and Jane Froman dubbing for Susan Hayward); [0:14] I'm Through with Love (Jane Froman dubbing for Susan Hayward); [0:15] Get Happy (Jane Froman dubbing for Susan Hayward); [0:21] Blue Moon (Jane Froman dubbing for Susan Hayward with Tony Morello and His Orchestra); [0:30] On the Gay White Way (sung and danced by Susan Hayward with The Kings Men (?), Jane Froman dubbing for Susan Hayward); [0:33] The Right Kind (sung by Jane Froman dubbing for Susan Hayward, danced by Susan Hayward and Richard Allan); [0:43] With a Song in My Heart (complete, sung by Jane Froman dubbing for Susan Hayward, unidentified male vocalist and Chorus, danced by Susan Hayward, unidentified male partner and Chorus); [0:52] Home on the Range (Jane Froman dubbing for Susan Hayward with airline passengers); [1:14] Montparnasse (David Wayne assisted by Una Merkel and Thelma Ritter); [1:16] Montparnasse (reprised by Chorus); [1:24] Embraceable You (Jane Froman dubbing for Susan Hayward with Robert Wagner); [1:28] Tea for Two (Jane Froman dubbing for Susan Hayward with Robert Wagner); [1:34] It's a Good Day (Jane Froman dubbing for Susan Hayward); [1:36] They're Either Too Young Or Too Old (Jane Froman dubbing for Susan Hayward with unidentified small band); [1:40] I'll Walk Alone (Jane Froman dubbing for Susan Hayward singing to Robert Wagner); [1:47] Finale Medley: America the Beautiful (Jane Froman dubbing for Susan Hayward with Chorus) / Wonderful Home Sweet Home (Jane Froman dubbing for Susan Hayward) / Give My Regards to Broadway (Jane Froman dubbing for Susan Hayward) / Chicago (Jane Froman dubbing for Susan Hayward with the Modernaires (?) / California, Here I Come (Jane Froman dubbing for Susan Hayward with Mens Chorus) / Carry Me Back to Old Virginny (Jane Froman dubbing for Susan Hayward) / (Maine) Stein Song (Jane Froman dubbing for Susan Hayward) / (Back Home Again In) Indiana (Jane Froman dubbing for Susan Hayward) / Alabamy Bound (Jane Froman dubbing for Susan Hayward with the Modernaires (?) / Deep in the Heart of Texas (Jane Froman dubbing for Susan Hayward with Soldiers and Thelma Ritter) / Dixie (Jane Froman with Susan Hayward and Chorus) / America the Beautiful (Jane Froman dubbing for Susan Hayward); [1:55] With a Song in My Heart (reprise, Jane Froman dubbing for Susan Hayward with Chorus)

The Wiz
Motown / Universal, 1978, Color, 133 minutes, ***
Released October, 1978

The fabulous land of Oz rocks and dazzles in this glittering film version of the Broadway hit, a modernized, urban rendition of the Hollywood classic, with Diana Ross as a Manhattan schoolteacher easin' on down the road with the Scarecrow (Michael Jackson), the Tinman (Nipsey Russell) and the Lion (Ted Ross). With Mabel King, Lena Horne and Richard Pryor as the Wiz.

Many people have asked "What is the point of this film?" I have to wonder, myself. Of course a film doesn't have to have any point at all to be entertaining, and this film definitely is that! It's an all-black cast sorta funky and humorous version of "The Wizard of Oz". It's quite stylish, colorful (no pun intended), and enjoyable, but leaves one wondering just why it was made. Is this the way ordinary Black folks would interpret the story? I don't really think so. Is it a spoof? It doesn't seem to be. But, here it is. It's fun, it sparkles... so just watch it and try not to analyze it too much. Think of it as sort of a Motown Gavotte.

Seen today, it is even more fun than it was when it first came out. It's fun to see these super-talented people again! [JJ]

Producer: Rob Cohen
Associate Producer: Burtt Harris
Executive Producer: Ken Harper
Director: Sidney Lumet
Screenplay: Joel Schumacher (based on the stage musical by William F. Brown and Charlie Smalls, based on "The Wonderful Wizard of Oz" by L. Frank Baum)
Musical Score: Quincy Jones
Song Score: Quincy Jones, Ashford and Simpson, Charlie Smalls, Luther Vandross
Choreography: Louis Johnson
Production Design: Tony Walton
Art Direction: Philip Rosenberg
Set Decoration: Robert Drumheller, Edward Stewart
Costume Design: Tony Walton, Miles White
Special Effects: Albert Whitlock, Al Griswold and Stan Winston
Cinematography: Oswald Morris
Film Editing: Dede Allen

Awards: Academy Award nominations for Best Cinematography, Best Song Score, Best Art Direction and Best Costume Design

Cast: Diana Ross [Dorothy], Michael Jackson [Scarecrow], Nipsey Russell [Tinman], Ted Ross [Lion], Richard Pryor [The Wiz], Lena Horne [Glinda the Good], Mabel King [Evilene], Thelma Carpenter [Miss One], Theresa Merritt [Aunt Em], Stanley Greene [Uncle Henry], Clyde Barrett [Subway Peddler], Carlton Johnson [Head Winkie], Harry Madsen [Cheetah], Glory Van Scott [Rolls Royce Lady], Vicki Baltimore [Green Lady], Derrick Bell, Roderick Spencer Sibert, Kashka Banjoko, Ronald Smokey Stevens [Crows], Tony Brealond, Joe Lynn [Gold Footmen], Clinton Jackson, Charles Rodriguez [Green Footmen]

Musical Numbers: Main Title (Overture, Part One); Overture (Part Two); The Feeling That We Have (Theresa Merritt and Family Choir); Can I Go On? (Diana Ross); Glinda's Theme (Snow Babies); He's the Wizard (Thelma Carpenter and The Munchkins); Soon as I Get Home / Home (Diana Ross and Toots Thielemans on harmonica); You Can't Win (Michael Jackson and Crows); Ease on Down the Road #1 (Michael Jackson and Diana Ross); What Would I Do If I Could Feel? (Nipsey Russell and Carousel Girls); Slide Some Oil to Me (Nipsey Russell and The Dixieland Band); Ease on Down the Road #2 (Nipsey Russell, Michael Jackson, Diana Ross); (I'm A) Mean Ole Lion (Ted Ross); Ease on Down the Road #3 (Ted Ross, Nipsey Russell, Michael Jackson, Diana Ross); Poppy Girls (Anthony Jackson, Bass); Be a Lion (Diana Ross, Ted Ross, Nipsey Russell, Michael Jackson); End of the Yellow Brick Road (Toots Thielemans on harmonica); Emerald City Sequence (Richard Tee on piano, Emerald City Citizens, Richard Pryor); So You Wanted to See the Wizard (dialogue by Richard Pryor); Is This What Feeling Gets (Dorothy's Theme) (Diana Ross); Don't Nobody Bring Me No Bad News (Mabel King and The Winkies); A Brand New Day (Everybody Rejoice) (Cast); Believe in Yourself (Dorothy) (Diana Ross); The Good Witch Glinda (dialogue by Richard Pryor and Lena Horne); Believe in Yourself (Glinda) (Lena Horne); Home (Diana Ross)

Follow Dorothy over the rainbow and down the Yellow Brick Road, along with the Scarecrow, Tin Woodsman, Cowardly Lion and Toto, too, for fun and adventure in the Emerald City. Judy Garland, Ray Bolger, Jack Haley, Bert Lahr, Margaret Hamilton and Frank Morgan star in one of the most beloved films of all time. The Harold Arlen-E. Y. "Yip" Harburg score includes "We're Off to See the Wizard," "Follow the Yellow Brick Road" and more. Special edition DVD includes the documentary "The Wonderful Wizard of Oz: The Making of a Movie Classic," hosted by Angela Lansbury and featuring rare outtakes, and the original theatrical trailer.

This film has been "restored" over and over again, to the point where it looks absolutely hideous - the colors are much too saturated, and all wrong for the era. But I guess each restoration makes everyone rush out and buy the film again so they can have the latest and greatest version. Enough already! I recommend some of the older releases if you want to see the film as it was orignially intended. If you like current-day eye-candy, then the latest version should suit you well -- until the next one comes out. Personally, I think the "Ultimate Oz" was restored well enough, and all "restorations" (colorizations) beyond that point are over the top and distracting. [JJ]

Producer: Mervyn LeRoy
Director: Victor Fleming
Screenplay: Noel Langley, Florence Ryerson and Edgar Allan Woolf (based on the book The Wonderful Wizard of Oz by L. Frank Baum, published in 1900)
Musical Score: Herbert Stothart
Song Score: Harold Arlen and E. Y. Harburg
Choreography: Bobby Connolly
Art Direction: Cedric Gibbons
Set Decoration: Edwin B. Willis
Costume Design: Adrian
Special Effects: A. Arnold Gillespie
Cinematography: Harold Rosson
Film Editing: Blanche Sewell

Awards: Won Academy Awards for Best Original Score (Herbert Stothart) and Best Song ("Over the Rainbow"); Academy Award nominations for Best Picture, Best Color Cinematography, Best Interior Decoration and Best Special Effects

Cast: Judy Garland [Dorothy Gale], Frank Morgan [Professor Marvel, Doorman, Cabby, Guard, The Wizard of Oz], Ray Bolger [Hunk, Scarecrow], Bert Lahr [Zeke, Cowardly Lion], Jack Haley [Hickory, Tin Man], Margaret Hamilton [Miss Almira Gulch, Wicked Witch of the West], Billie Burke [Glinda, the Good Witch of the North], Charley Grapewin [Uncle Henry], Clara Blandick [Auntie Em], Pat Walshe [Nikko], The Singer Midgets [The Munchkins], Jerry Maren [Lollipop Guild Leader], Terry [Toto], Adriana Caselotti [Voice of Juliet, uncredited]

Musical Program: Over the Rainbow (Judy Garland); Munchkinland Musical Sequence: Come Out, Come Out... (Billie Burke and The Munchkins); It Really Was No Miracle (Judy Garland, Billy Bletcher and The Munchkins); We Thank You Very Sweetly (Jospeh Koziel[?] and Frank Cucksey); Ding-Dong! The Witch Is Dead (The Munchkins); As Mayor of the Munchkin City (Billy Bletcher, Pinto Colveg and J. D. Jewkes); As Coroner, I Must Aver (Harry Stanton); Ding-Dong! The Witch Is Dead (reprise, The Munchkins); The Lullaby League (Lorraine Bridges, Betty Rome and Carol Tevis); The Lollipop Guild (Billy Bletcher, Pinto Colveg and Harry Stanton); We Welcome You to Munchkinland (The Munchkins); Follow the Yellow Brick Road / You're Off to See the Wizard (Judy Garland and The Munchkins)}; end of Munchkinland Sequence If I Only Had a Brain (sung and danced by Ray Bolger and Judy Garland); We're off to See the Wizard (Judy Garland and Ray Bolger); If I Only Had a Heart (Jack Haley with Adriana Caselotti as Juliet); We're off to See the Wizard (Judy Garland, Ray Bolger and Buddy Ebsen); If I Only Had the Nerve (Bert Lahr, Ray Bolger, Jack Haley and Judy Garland); We're off to See the Wizard (Judy Garland, Ray Bolger, Buddy Ebsen and Bert Lahr); Optimistic Voices (MGM Studio Chorus, The Debutantes, and The Rhythmettes); The Merry Old Land of Oz (Frank Morgan, Judy Garland, Ray Bolger, Jack Haley, Bert Lahr, Tyler Brook, Ralph Sudam, Bobby Watson, Oliver Smith, Charles Irwin, Lois January, Elivda Rizzo, Lorraine Bridges and the MGM Studio Chorus); If I Were King of the Forest (Bert Lahr, Judy Garland, Ray Bolger, Jack Haley, Buddy Ebsen)

Much more info on my Judy Garland website: The Wizard of Oz


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Wonder Bar
First National / Vitaphone, 1934, B/W, 84 minutes, ***½
Released March, 1934

An all-star Warner Bros. extravaganza set in a Paris nightclub where club owner Al Jolson and bandleader Dick Powell fall for dancer Delores Del Rio, who is fond of stage partner Ricardo Cortez, who in turn is pursued by rich Kay Francis. Among the lavish musical numbers, with choreography by Busby Berkeley, are "Don't Say Goodnight," "Why Do I Dream Those Dreams" and "Goin' to Heaven on a Mule".

Wonder Bar first appeared on Broadway in 1931, and toured in 1931-1932.

Fun film! Jolie's chat with a Russian is a scream! This film shows Jolson as the great showman he was. His numbers are the best in the film, and his high-energy (nearly frenetic) personality fills the screen with electricity whenever he appears!

Producer: Robert Lord
Directed by: Lloyd Bacon
Based on the Play by Geza Herczeg, Karl Farkas and Robert Katscher
Adaptation and Screen Play by Earl Baldwin
Numbers Created and Directed by: Busby Berkeley
Music and Lyrics by: Harry Warren and Al Dubin
Vitaphone Orchestra Conducted by: Leo F. Forbstein
Art Directors: Jack Okey & Willy Pogany
Gowns by: Orry-Kelly
Photographed by: Sol Polito
Film Editor: George Amy

Cast: Al Jolson [Al Wonder], Kay Francis [Liane], Dolores Del Rio [Ynez], Ricardo Cortez [Harry], Dick Powell [Tommy], Guy Kibbee [Simpson], Ruth Donnelly [Mrs. Simpson], Hugh Herbert [Pratt], Louise Fazenda [Mrs. Pratt], Hal LeRoy [Himself], Fifi D'Orsay [Mitzi], Merna Kennedy [Claire], Henry O'Neill [Richards], Robert Barrat [Capt. von Ferring], Henry Kolker [Mr. Renaud], Spencer Charters [Pete], Additional Cast: Kathryn Sergava [Ilka], Gordon DeMain, Harry Woods [Detectives], Marie Moreau [Maid], George Irving [Broker], Emile Chautard [Concierge], Pauline Garon [Operator], Mahlon Norvell [Artist], Alphonse Martell [Doorman], Mia Ichioka [GeeGee], William Granger, Bud Jamison [Bartenders], Rolfe Sedan [Waiter], Eddie Kane [Frank], Edward Keane [Captain], Jane Darwell [Baroness], Demetrius Alexis, John Marlowe [Young Men], Billy Anderson [Call Boy], Hobart Cavanaugh [Drunk], Dave O'Brien [Chorus Boy], Dennis O'Keefe [Man at Bar], Gino Corrado [Waiter], Grace Hayle [Fat Dowager], Gordon Elliott [Norman], Paul Power [Chester], Dick Good [Page Boy], Michael Dalmatoff [Count], Renee Whitney, Amo Ingraham, Rosalie Roy [Chorus Girls], Lottie Williams [Wardrobe Woman], Clay Clement, William Stack [Businessmen], Gene Perry [Gendarme], Louis Ardizoni [Cook], Robert Graves [Police Officer], Alfred P. James [Night Watchman]

Musical Program: [0:00] Overture (played by Orchestra behind titles); [0:05] Why Do I Dream Those Dreams (short excerpt sung by Dick Powell); [0:14] Vive La France (sung by Al Jolson); [0:16] instrumental dance number danced by guests of the Wonder Bar; [0:21] Don't Say Goodnight (production number sung by Dick Powell and Chorus; danced by Dolores Del Rio, Ricardo Cortez and Chorus); [0:33] instrumental dance number danced by guests of the Wonder Bar; [0:36] Wonder Bar (played in background by Orchestra); [0:42] Ochi Tchornya (Dark Eyes) (sung by Al Jolson with a little help from the audience); [0:44] Wonder Bar (sung by Dick Powell, danced by guests of the Wonder Bar); [0:48] Why Do I Dream Those Dreams (sung by Dick Powell); [0:57] Tango del Rio (The Gaucho Dance) (instrumental number danced by Dolores Del Rio and Ricardo Cortez); [1:05] Wonder Bar (played by Orchestra, a couple bars sung by Al Jolson); [1:06] Goin' to Heaven on a Mule (sketch sung by Al Jolson and Chorus, danced by Chorus); sources indicate the instrumental dance numbers are "All Washed Up," "You're So Divine" and "Elizabeth," but I don't know which is which.

Wonder Man
Goldwyn / RKO, 1945, Color, 98 minutes, ***
Released June, 1945

Danny Kaye plays a dual role in this comedy spotlighting his multitude of talents in singing, dancing and physical comedy. Just before he's about to testify against the mob, the fast-living nightclub entertainer Buzzy Bellew is slain. But Buzzy's ghost promptly proceeds to haunt his rather reserved, bookish twin Edwin... until Edwin agrees to take his place on the stage. Hoping to catch those responsible for the killing, the shy librarian not only capably steps into his double's dancing shoes, but also into the arms of Buzzy's fiancée.

Produced by: Samuel Goldwyn
Directed by: Bruce Humberstone
Screenplay by: Don Hartman, Melville Shavelson and Philip Rapp
Adaptation by: Jack Jevne and Eddie Moran
Original Story by: Arthur Sheekman
Otchi Tchorniya Number and Music and Lyrics for Bali Boogie and Opera Number by Sylvia Fine
The Song "So in Love" by Leo Robin and David Rose
Musical Numbers Orchestrated and Conducted by: Ray Heindorf
Musical Director: Louis Forbes
Dances: John Wray
Art Direction: Ernst Fegté
Associate: McClure Capps
Set Decorations: Howard Bristol
Costumes: Travis Banton
Make-up: Robert Stephanoff
Hair Stylist: Nina Roberts
Sound Recorder: Fred Lau
Directors of Photography: Victor Milner, William Snyder
Special Photographic Effects: John Fulton
In Technicolor
Technicolor Color Director: Natalie Kalmus
Associate: Mitchell Kovaleski
Editor: Daniel Mandell

Awards: Won Academy Award for Best Special Effects (John P. Fulton - photographic, Arthur Johns - sound). Academy Award Nominations for Best Original Song ("So in Love", David Rose - music, Leo Robin - lyrics), Best Score (Louis Forbes and Ray Heindorf) and Best Sound (Gordon Sawyer).

Cast: Danny Kaye [Edwin Dingle / Buzzy Bellew], Virginia Mayo [Ellen Shanley], Vera-Ellen [Midge Mallon], Donald Woods [Monte Rossen], S. Z. Sakall [Schmidt], Allen Jenkins [Chimp], Edward Brophy [Torso], Steve Cochran [Ten Grand Jackson], Otto Kruger [Distrcit Attorney], Richard Lane [Assistant District Attorney], Natalie Schafer [Mrs. Hume], Huntz Hall [Sailor], Virginia Gilmore [Sailor's Girl Friend], Ed Gargan [Policeman in Park], Alice Mock [Prima Donna], Gisela Werbisek [Mrs. Schmidt], The Goldwyn Girls [Themselves]; Additional Cast: Luis Alberni [Opera Prompter], Leon Belasco [Pianist], Carol Haney [Dancer], Bess Flowers [Pelican Club Extra / Opera Patron]

Musical Program: [0:06] Bali Boogie (sung and danced by Danny Kaye, Vera-Ellen and Goldwyn Girls; June Hutton dubbing for Vera Ellen); [0:35] Palpably Inadequate (comic number performed by Danny Kaye); [0:44] So in Love (sung and danced by Vera-Ellen with The Goldwyn Girls and male dancers; June Hutton dubbing for Vera-Ellen); [0:52] The Patter (comedy routine performed by Danny Kaye); [0:54] Otchi Tchorniya (slaughtered by Danny Kaye impersonating a Russian singer with bad alergies); [1:26] Opera Sequence (comic opera sequence performed by Danny Kaye and Ensemble - very funny!)

Lavish production numbers, smart tunes and a constellation of celebrities to deliver them in elegant style - that's Words and Music, the 1948 film starring Mickey Rooney as Lorenz Hart and Tom Drake as Richard Rodgers.

Rodgers and Hart's was a prolific partnership that produced a score of Broadway shows and numerous tunes for Hollywood. The fruits of their labor are heralded here, as Perry Como croons "Mountain Greenery," June Allyson teases a crew of knights with "Thou Swell," Lena Horne coos "Where or When," then picks up the beat for a snappy "The Lady Is a Tramp." All this is capped by Judy Garland and Mickey Rooney in a smartly-choreographed duet of "I Wish I Were in Love Again" and Gene Kelly high-kicking his way through a dazzling "Slaughter on Tenth Avenue," featuring Vera-Ellen.

Producer Arthur Freed's legendary credits include Singin' in the Rain, Gigi and An American in Paris, and his Words and Music is a must for every collector of great screen musicals.   [from back of VHS sleeve]

This biopic of the legendary song-writing team Richard Rodgers and Lorenz Hart is rather depressing and largely fictional. Just ignore all that. Watch it for the music! It's a fantastic Rodgers & Hart concert! Too many great numbers to single any out any highlights - they're all wonderful! [JJ]

Classic Musicals from the Dream Factory, Vol. 2 DVD Box Set (shown right) includes this film and The Pirate, That's Dancing, The Belle of New York, Royal Wedding, That Midnight Kiss, The Toast of New Orleans.

Produced by: Arthur Freed
Directed by: Norman Taurog
Screenplay: Fred Finklehoffe
Story by: Guy Bolton and Jean Holloway
Adaptation by: and Ben Feiner, Jr.
Based in the Lives and Music of Richard Rodgers and Lorenz Hart
Musical Direction: Lennie Hayton
Orchestration: Conrad Salinger
Vocal Arrangements: Robert Tucker
Musical Numbers Staged and Directed by: Robert Alton
Art Directors: Cedric Gibbons and Jack Martin Smith
Set Decorations: Edwin B. Willis
Associate: Richard A. Pefferle
Women's Costumes by: Helen Rose
Men's Costumes by: Valles
Hair Styles Created by: Sydney Guilaroff
Make-Up Created by: Jack Dawn
Recording Director: Douglas Shearer, John A. Williams
Director of Photography: Charles Rosher, Harry Stradling
Special Effects: Warren Newcombe
Color by Technicolor
Technicolor Color Director: Natalie Kalmus
Associate: James Gooch
Film Editors: Albert Akst and Ferris Webster

Cast of the Story: Perry Como [Eddie Lorrison Anders], Mickey Rooney [Lorenz "Larry" Hart], Ann Sothern [Joyce Harmon], Tom Drake [Richard "Dick" Rodgers], Betty Garrett [Peggy Lorgan McNeil], Janet Leigh [Dorothy Feiner], Marshall Thompson [Herbert Fields], Jeanette Nolan [Mrs. Hart], Richard Quine [Bob Feiner, Jr.], Clinton Sundberg [Shoe Clerk], Harry Antrim [Dr. Rodgers], Ilka Gruning [Mrs. Rodgers], Emory Parnell [Mr. Feiner], Helen Spring [Mrs. Feiner], Edward Earl [James Fernby Kelly], Guest Stars: June Allyson, Judy Garland, Lena Horne, Gene Kelly, Cyd Charisse, Mel Torme, Vera-Ellen, Dee Turnell, Emory Parnell, Helen Spring, Edward Earl, The Blackburn Twins, Allyn McLerie

Musical Program: [0:00] Overture (played and sung by The MGM Studio Orchestra and Chorus); [0:09] Manhattan [from "Garrick Gaieties"] (sung by Mickey Rooney with Tom Drake at the Piano [onscreen], then sung by Mickey, Tom Drake and Marshall Thompson); [0:17] There's a Small Hotel [from "On Your Toes"] (sung by Betty Garrett at party); [0:20] Mountain Greenery [from "Garrick Gaieties"] (sung by Perry Como, Allyn McLerie and Chorus, danced by Chorus -- really cute number); [0:32] Way Out West [from "Babes in Arms"] (sung by Betty Garrett at speakeasy); [0:34] Where's That Rainbow [from "Peggy Ann"] (sung and danced by Ann Sothern and Chorus); [0:43] On Your Toes [from "On Your Toes"] (sung and danced by Cyd Charisse and Dee Turnell); [0:45] This Can't Be Love [from "The Boys from Syracuse"] (instrumental danced by Chorus Girls); [0:46] Girl Friend [from "The Girl Friend"] (instrumental danced by Cyd Charisse, Dee Turnell and Chorus Girls); [0:53] Blue Room [from "The Girl Friend"] (sung by Perry Como and Chorus, danced by Cyd Charisse); [1:04] Thou Swell [from "A Connecticut Yankee"] (sung and danced by June Allyson and The Blackburn Twins); [1:10] With a Song in My Heart [from "Spring Is Here"] (sung by Tom Drake at the piano); [1:12] With a Song in My Heart [from "Spring Is Here"] (played by Orchestra behind montage); [1:13] Where or When [from "Babes in Arms"] (sung by Lena Horne); [1:15] The Lady Is a Tramp [from "Babes in Arms"] (sung by Lena Horne); [1:27] I Wish I Were in Love Again [from "Babes in Arms"] (sung and danced by Judy Garland and Mickey Rooney); [1:29] Johnny One Note [from "Babes in Arms"] (sung by Judy Garland); [1:34] Blue Moon [popular song] (sung by Mel Torme); [1:38] Spring Is Here [from "I Married an Angel"] (spoken by Mickey Rooney); [1:43] Slaughter on Tenth Avenue [from "On Your Toes"] (ballet danced by Gene Kelly, Vera-Ellen and Chorus); [1:56] Finale: With a Song in My Heart (introduction by Gene Kelly, sung by Perry Como and Chorus with montage of clips from many of the numbers in the movie); [2:00] With a Song in My Heart (played by Orchestra behind end credits)

See the Words and Music page on JGDB for more details:


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