Mad About Music
Universal, 1938, B/W, 96 minutes, ***½
Released February, 1938

Gloria's (Deanna) mother (Gail Patrick) is a big movie star. She and Gloria's father are separated, and she has sent Deanna to an all-girls school in Switzerland, because it just wouldn't look right to her public for a glamorous movie star to have a fourteen-year-old daughter. Deanna has manufactured a father for the benefit of the other girls at the school, and when Richard Todd (Herbert Marshall) shows up, she grabs him and pretends he's her imaginary father. Herbert Marshall is perfect for the role, and the film is a lot of fun. Deanna sings "I Love to Whistle," and "Chapel Bells."

This is a really cute film. Deanna is bubbly and bouncy and a lot of fun. Her story about her big game hunter father gets bigger and bigger, and when Herbert Marshall comes along, he has to really think on his feet to help Deanna out of her troubles.

Producer: Charles R. Rogers
Associate Producer: Joe Pasternak
Director: Norman Taurog
Assistant Director: Frank Shaw
Screen Play by: Bruce Manning, Felix Jackson
Original Story by: Marcella Burke, Frederic Kohner
Musical Director: Charles Previn
"A Serenade to the Stars," "Chapel Bells," "I Love to Whistle"
Music and Lyrics by Jimmy McHugh, Harold Adamson
Vocal Supervision: Charles E. Henderson
Orchestrations: Frank Skinner
Art Director: Jack Otterson
Associate: John Ewing
Gowns: Vera West
Miss Patrick's Gowns: Edith Head
Sound: Joseph Lapis, Bernard B. Brown
Director of Photography: Joseph Valentine
Film Editor: Ted Kent

Awards: Academy Award Nominations for Best Original Story (Marcella Burke and Frederick Kohner), Best Cinematography (Joseph Valentine), Best Score (Charles Previn and Frank Skinner), Best Interior Decoration (Jack Otterson)

Cast: Deanna Durbin [Gloria Harkinson], Herbert Marshall [Richard Todd], Gail Patrick [Gwen Taylor], Arthur Treacher [Tripps], William Frawley [Dusty Turner], Marcia Mae Jones [Olga], Helen Parrish [Felice], Jackie Moran [Tommy], Elizabeth Risdon [Annette Fusenot], Nana Bryant [Louise Fusenot], Christian Rub [Pierre], Charles Peck [Henry], Sid Grauman [Himself], Cappy Barra's Harmonica Ensemble [Themselves], Additional Cast: Joan Tree [Patricia], Franklin Pangborn [Hotel Manager], Bert Roach [Fat Man], Martha O'Driscoll [Pretty Girl], The Vienna Boys Choir [Themselves]

Musical Program: [0:05] I Love to Whistle (sung by Deanna Durbin and School Girls while bicycling); [0:22] Ave Maria (sung by Deanna Durbin and The Vienna Boys Choir); [0:50] Chapel Bells (sung by Deanna Durbin accompanied by Herbert Marshall at the piano onscreen); [1:01] excerpt from finale of 1812 Overture (Cappy Barra's Harmonica Ensemble); [1:03] I Love to Whistle (sung and played by Cappy Barra's Harmonica Ensemble at party, joined by Deanna Durbin and audience); [1:10] I Love to Whistle (sung by Deanna Durbin, joined by train passengers); [1:21] Serenade to the Stars (excerpt sung by Deanna Durbin); [1:33] Serenade to the Stars (sung by Deanna Durbin)

The Magic of Lassie
Lassie Productions / International Picture Show Co, 1978, Color, 100 minutes, ***
Released August, 1978

Enchantment awaits as an all-star cast including James Stewart, Mickey Rooney, Stephanie Zimbalist and Pernell Roberts join Lassie in a full-length adventure the whole family will love.

In the beautiful wine country of northern California, Clovis Mitchell (Stewart), his grandchildren Chris and Kelly, and Lassie live on the family vineyard, land they love as much as they love each other. When the wealthy Mr. Jamison (Roberts) offers to buy the vineyard, Clovis turns him down. But he can't prevent Jamison, who is armed with proof of ownership, from taking Lassie away to Colorado. But neither man has reckoned on the powerful attachment between Chris and his dog. Lassie soon escapes from Jamison's estate and begins her long trek home. In the meantime, Chris has run away to search for Lassie. Their adventures on the long road back to each other will thrill, amuse, delight and amaze. In addition to the many beguiling performances, the film boasts seven songs sung by Pat and Debby Boone. For heartwarming entertainment, there's no magic like The Magic of Lassie!  [from back of VHS sleeve]

This attempt to rejuvinate the "Lassie" series was a total critical flop (I have no idea why). Critics called it a bomb or a "dog." But the film has many good moments. Stewart is wonderful, as always, and Alice Faye turns in her last performance. Debbie Boone and The Mike Curb Congregation sing the song score. It's an enjoyable film, and Lassie fans should find it as enchanting as any of the Lassie entries. [JJ]

Jack Wrather Presents
Produced by: Bonita Granville Wrather; William Beaudine, Jr.
Executive Producer: Jack Wrather
Directed by: Don Chaffey
Assistant Director: Don Torpin
Story by: Robert B. Sherman and Richard M. Sherman
Screenplay by: Jean Holloway, Robert B. Sherman and Richard M. Sherman
Music and Lyrics by: Richard M. Sherman and Robert B. Sherman
Music Supervised, Arranged and Conducted by: Irwin Kostal
Introducing: The Mike Curb Congregation
"Banjo Song" Choreographed by Martin Allen
Art Director: George Troast
Set Decorator: Carl Biddiscombe
Costumer: Ed Wynigear
Make-Up: Robert N. Norin
Hairdresser: Jo McCarthy
Sound: Ryder Sound Services
Director of Photography: Michael Margulies
Color by CFI
Film Editor: John C. Horger
Filmed at Hop Kiln Winery, Griffin Vineyard, Healdsburg, California

Cast: Mickey Rooney [Gus], Pernell Roberts [Jamison], Stephanie Zimbalist [Kelly Mitchell], Michael Sharrett [Chris Mitchell], Alice Faye [Alice], Gene Evans [Sheriff Andrews], Mike Mazurki [Apollo], Robert Lussier [Finch], Lane Davies [Allan], William Flatley [Truck Driver], James V. Reynolds [Officer Wilson], Rayford Barnes [Reward Seeker], W. D. Goodman [Mighty Manuel], Hank Metheney [Referee], Buck Young [T.V. Announcer], David Himes [Father], Ron Honthaner [Official], Ed Vasgersian [Lee], Bob Cashell [Ed], Robin Cawiezell [Girl in Casino], Gary Davis [Motorcycle Officer], Ralph Garrett [Kennelman], Pete Kellett [Security Guard], Klause Hense [Helicopter Pilot], Carl Nielsen [Mr. Kern], Regina Waldon [Mrs. Kern], Mike Curb Generation (Roger Jenkins, Jr., Maureen Smith, Nanci Bergman, Lynda Chase, Eddie D'Angelo, Mark McGee, Mary Bennett); James Stewart [as Clovis Mitchell], Lassie is Owned and Trained by Rudd Weatherwax, Debby Boone [offscreen vocals], Pat Boone [offscreen vocals]

Musical Program: [0:00] That Hometown Feeling (sung by James Stewart, Stephanie Zimbalist and Michael Sharett behind titles); [0:16] Brass Rings and Daydreams (sung offscreen by Debby Boone); [0:28] I Can't Say Goodbye (sung offscreen by The Mike Curb Congregation); [0:33] Nobody's Property (sung offscreen by The Mike Curb Congregation); [0:44] Traveling Music (sung by Mickey Rooney); [0:52] Nobody's Property (reprised by The Mike Curb Congregation); [1:01] There'll Be Other Friday Nights (sung offscreen by Debby Boone); [1:08] A Rose Is Not a Rose (sung by Alice Faye along with record of Pat Boone on jukebox at truck stop); [1:16] When You're Loved (sung offscreen by Debby Boone); [1:28] Banjo Song (sung by The Mike Curb Congregation onscreen); [1:35] Thanksgiving Prayer (spoken in verse by James Stewart); [1:36] When You're Loved (reprised offscreen by Debby Boone)

The Major and the Minor
Paramount, 1942, B/W, 101 minutes, ****
Released September, 1942

Screen icon Ginger Rogers masquerades as a schoolgirl in The Major and the Minor, the directorial debut of legendary writer-director Billy Wilder (Some Like It Hot).

After a year in New York (and twenty-five jobs), Susan Applegate (Rogers) decides that she's giving up on big city life, figuring it's time to go home. Only the train fare has gone up since she last rode, so she disguises herself as a 12-year old named "Sue Sue," and manages to get a ticket for child's fare. Now on board, the conductors are on to her scheme so she ends up hiding out in a compartment, not knowing it's already occupied by Major Kirby (Ray Milland), a military academy instructor with poor eyesight. When the railroad tracks flood and the train stalls, Kirby demands that Sue Sue accompany him to the academy, since she's without parental supervision. There she'll be able to get a ride to her home town.

Now, Susan must remain in character as the academy's young cadet vie for her attention... and she finds herself falling for the Major, whom, she is convinced, is about to marry a woman who's all wrong for him!

Produced by: Arthur Hornblow, Jr.
Directed by: Billy Wilder
Written by: Charles Brackett and Billy Wilder
Suggested by a Play by Edward Childs Carpenter
From a Story by Fannie Kilbourne
Music Score: Robert Emmett Dolan
Art Direction: Hans Drier, Roland Anderson
Costumes: Edith Head
Makeup Artist: Wally Westmore
Sound Recording by: Harold Lewis, Don Johnson
Director of Photography: Leo Tover
Edited by: Doane Harrison
Military school exteriors were photographed at St. John's Military Academy, Delafield, Wisconsin

Cast: Ginger Rogers [Susan Applegate], Ray Milland [Major Kirby], Rita Johnson [Pamela Hill], Robert Benchley [Mr. Osborne], Diana Lynn [Lucy Hill], Edward Fielding [Colonel Hill], Frankie Thomas [Cadet Osborne], Raymond Roe [Cadet Wigton], Charles Smith [Cadet Korner], Larry Nunn [Cadet Babcock], Billy Dawson [Cadet Miller], Lela Rogers [Mrs. Applegate], Aldrich Bowker [Reverend Doyle], Boyd Irwin [Major Griscom], Byron Shores [Captain Durand], Richard Fiske [Will Duffy], Norma Varden [Mrs. Osborne], Gretl Dupont [Mrs. Shackleford], Additional Cast: Marie Blake [Bertha], Billy Ray [Cadet Sommerville], Stanley Desmond [Cadet Shumaker], Billy Cook, John Bogden, Bill Clauson, Don Wilmot, Jim Pilcher, David McKim, Billy O'Kelly, Buster Nichols, Bradley Hail, Ralph Gilliam, Kenneth Grant, Dickie Jones, Dick Chandlee, Jack Lindquist, Stephen Kirchner [Cadets], James Conaty [Officer], Tom Dugan [Con Man in Railraod Station], Mary Field [Wilbur and Margie's Mother in Train Station], Freddie Mercer [Wilbur, Little Boy in Train Station], Carlotta Jelm [Margie, Little Girl in Train Station], George Anderson [Man with Esquire Magazine], Bess Flowers, Sam Harris, Edmund Mortimer [Guests at Cadet Ball], Archie Twitchell [Sergeant at Main Gate], Ken Lundy [Elevator Boy], Dell Henderson [Doorman], Alice Keating [Nurse], Milton Kibbee [Station Agent], Edward Peil, Sr. [Stationmaster], Will Wright [Ticket agent #1], William Newell [Ticket Agent #2], Stanley Andrews [Conductor #1], Emory Parnell [Conductor #2], Ralph Brooks [Extra in Train Car]

Musical Program: Not a musical, but contains some background and incidental music: [1:03] Ginger Rogers and Raymond Roe dancing (no music); [1:07] Blues in the Night (instrumental played on radio, danced by Raymomd Roe); [1:08] We Do (?) (sung by Cadets); [1:11] Lover (waltz [instrumental] danced by Ginger Rogers and Cadets at Ball); [1:14] unidentified waltz (danced by Ginger Rogers and Ray Milland and by Cadets and guests at the Ball)

Make a Wish
Principal Productions / RKO, 1937, B/W, 75 minutes, **½
Released August, 1937

While at summer camp in the Maine woods, little Bobby Breen befriends composer Basil Rathbone, who left the city to try and break his creative block, and is soon playing matchmaker for his widowed singer mother and Rathbone. Lively family musical also stars Marion Claire, Leon Errol; songs include "Music in My Heart," "Old Man Rip."

Producer: Sol Lesser
Associate Producer: Edward Gross
Director: Kurt Neumann
Assistant Director: Joseph Boyle
Screenplay by: Gertrude Berg, Bernard Schubert, Earle Snell
additional dialogue by William Hurlbut and Al Boasberg
(from an original story by Gertrude Berg)
Musical Score: Oscar Straus
Musical Direction: Hugo Riesenfeld
Musical Supervision: Abe Meyer
Music Published by: Leo Feist, Inc.
Songs: "Make a Wish," "Music in My Heart," "Old Man Rip," "Birchlake Forever" Music by Oscar Straus, Lyrics by Louis Alter and Paul F. Webster. "Campfire Dreams" Music and Lyrics by Louis Alter and Paul F. Webster.
Art Direction: Willy Pogany and Harry Oliver
Dance Direction: Larry Ceballos
Costume Supervision: Albert Deanno
Gowns: Brymer
Photography: John Mescall
Sound Engineer: Hugh McDowell
Film Editor: Arthur Hilton

Awards: Academy Award nomination for Best Score

Cast: Bobby Breen [Chip Winters], Basil Rathbone [Johnny Selden], Marion Claire [Irene Winters], Henry Armetta [Moreta], Leon Errol [Brennan], Donald Meek [Joseph], Billy Lee [Pee Wee], Ralph Forbes [Walter Mays], Leonid Kinskey [Moe], Herbert Rawlinson [Dr. Stevens], Spencer Charters [Station Agent], Johnny Arthur [Antoine], Lew Kelly [Mailman], Charles Richman [Wagner], Fred Scott [Minstrel], Lillian Harmer [Clara], Barbara Barondess [Secretary], Dorothy Appleby [Telephone Girl], Richard Tucker [Grant], Phillip McMahon [Chunky], Billy Lechner [Judge], Jackie Egger [Bud], Dorr's St. Luke's Choristers [vocals]

Musical Program: [0:02] Birchlake Forever (Bobby Breen and Boys Chorus); [0:13] Taps (excerpt sung by Boys); [0:14] Campfire Dreams (sung by Bobby Breen and Boys Chorus); [0:16] Taps (excerpt sung by Bobby Breen); [0:28] Make a Wish (sung by Basil Rathbone then by Bobby Breen); [0:35] Polly Wolly Doodle (Bobby Breen and Boys); [0:39] Old Man Rip (sung by Boys then by Bobby Breen); [0:45] Music in My Heart (sung by Marion Claire); [0:50] Birchlake Forever (sung by Bobby Breen and Boys); [1:08] Music in My Heart (reprised sung by Marion Claire and Bobby Breen); [1:10] Music in My Heart (sung by Marion Claire, Fred Scott, Bobby Breen and Children; danced by Children); [1:14] Make a Wish (reprised by Bobby Breen and Chorus); [1:15] Birchlake Forever (Bobby Breen and Boys behind end credits)

Make Mine Music
Walt Disney / RKO, 1946, Color, 74 minutes, ***
Premiere release April, 1946
General release August, 1946

A collection of musical shorts with animation. The first short is "The Martins and the Coys" (subtitled "A Rustic Ballad"), about a feud between two hillbilly families. Next up is "Blue Bayou" ("A Tone Poem"), sung by The Ken Darby Chorus and set to animation of egrets flying over a moonlit bayou. Benny Goodman provides the music for "All the Cats Join In" ("A Jazz Interlude"), featuring pencil sketches of teenage bobby-soxers jitterbugging at a malt shop. "Without You" ("A Ballad in Blue"), sung by Andy Russell, is an abstract piece with rain pouring down a windowpane which is reflecting changing colors. Jerry Colonna narrates the story of "Casey at the Bat" ("A Musical Recitation"), the famous poem about the mighty baseball player who strikes out. Dinah Shore sings "Two Silhouettes" ("Ballade Ballet") in which Tatiana Riabouchinska and David Lichine of the Ballet Russe perform. Sterling Holloway narrates the tale of "Peter and the Wolf" ("A Fairy Tale with Music"), accompanied by the classic Prokofiev score. "After You've Gone" is a visualization of the Benny Goodman number, with various musical instruments engaged in a dueling jam session. The Andrews Sisters sing the story of "Johnny Fedora and Alice Blue Bonnet" ("A Love Story"), about two hats in a store window who fall in love and try to reunite after being bought and separated. The closing segment is "The Whale Who Wanted to Sing at the Met" ("Opera Pathetique"), with Nelson Eddy providing all of the voices for this story of a giant whale with an incredible singing voice who aspires to perform at the opera.

See also: Melody Time

Produced By: Joe Grant
Production Supervisor: Joe Grant
Directors: Jack Kinney, Clyde Geronimi, Hamilton Luske, Bob Cormack, Josh Meador
Story: Homer Brightman, Dick Huemer, Dick Kinney, John Walbridge, Tom Oreb, Dick Shaw, Eric Gurney, Sylvia Holland, T. Hee, Ed Penner, Dick Kelsey, Jim Bodrero, Roy Williams, Cap Palmer, Jesse Marsh, Erwin Graham
Music Director: Charles Wolcott
Associates: Ken Darby, Oliver Wallace, Edaward Plumb
Songs by: Ray Gilbert, Eliot Daniel, Allie Wrubel, Bobby Worth
Art Supervision: Mary Blair, Elmer Plummer, John Hench
Animation: Les Clark, Eric Larson, Ward Kimball, John Lounsbery, Milt Kahl, Ollie Johnston, John Sibley, Fred Moore, Hal King, Hugh Fraser, Judge Whitaker, Jack Campbell, Harvey Toombs, Cliff Nordberg, Tom Massey, Bill Justice, Phil Duncan, Al Bertino, Hal Ambro, John McManus, Ken O'Brien
Effects Animation: George Rowley, Andy Engman, Jack Boyd, Brad Case, Don Patterson
Sound Recording: C. O. Slyfield, Robert O. Cook
Process Effects: Ub Iwerks
In Technicolor
Color Consultant: Mique Nelson

Cast: Benny Goodman and His Orchestra, Nelson Eddy, Dinah Shore, The Andrews Sisters, Jerry Colonna, Andy Russell, Sterling Holloway, The Pied Pipers, The King's Men, The Ken Darby Chorus, Tatiana Riabouchinska, David Lichine

Musical Program: [0:00] Make Mine Music (sung behind titles by ); [0:01] A Tone Poem: Blue Bayou (sung by the Ken Darby Chorus, visuals are two egrets in a bayou); [0:06] A Jazz Interlude: All the Cats Join In (a CariCATture) (featuring Benny Goodman and His Orchestra, visuals are cartoon drawings of teenagers going to a drugstore to dance); [0:11] A Ballad in Blue: Andy Russell singing Without You (visuals are a cartoon of a blue rainy day); [0:14] A Musical Recitation by Jerry Colonna entitled Casey at the Bat (introduction sung by The Ken Darby Chorus, visuals are a cartoon baseball game ca. 1900, Jerry Colonna narrates and sings based on the famous poem "Casey at the Bat"); [0:23] Ballade Ballet: Tania Riabouchinska and David Lichine - The Dance, Dinah Shore - the Song Two Silhouettes (visual is hand-drawn silhouettes of Tani and David dancing); [0:27] A Fairy Tale with Music: Peter and the Wolf (by Sergei Prokofiev, told by Sterling Holloway, visuals are cartoon renderings of Peter and animals); [0:42] The Goodman Quartet (Cozy Cole, Sid Weiss, Teddy Wilson, Benny Goodman) After You've Gone (visuals are cartoon renderings of musical instruments); [0:45] A Love Story (sung by the Andrews Sisters): Johnny Fedora and Alice Bluebonnet (a cartoon rendition of the story of a fedora and a blue bonnet falling in love); [0:53] Opera Pathetique (presenting Nelson Eddy - who does ALL the voices for the tragic story of... The Whale Who Wanted to Sing at the Met (visuals are a cartoon whale who sings opera. Nelson Eddy sings and narrates); The Martins and the Coys (The King's Men) [included in film, but deleted for the videotape]

Mame
Warner Bros., 1974, Color, 131 minutes, ***
Released March, 1974

You're invited to party hearty - and in fabulous style - with this lavish 1974 screen version of the beloved Broadway musical. Lucille Ball brings star sparkle to the title role, a high-living grande dame who's outlandishly eccentric and, when suddenly faced with raising an orphaned nephew, fiercely loving. Veterans of the New York stage original join her: Beatrice Arthur as best friend Vera, Jane Connell as prim governess Agnes, choreographer Onna White and director Gene Saks. As Mame's husband Beauregard, Robert Preston (The Music Man) sings "Loving You," written specially for the film. Jerry Herman's songs, from "It's Today" to "We Need a Little Christmas" to "If He Walked Into My Life," rank among the best show tunes ever. For a grand time, bring home Mame.   [from back of DVD case]

Lucille Ball fans should love this one - it plays more like a tribute to Lucille Ball than a work of fiction.

Produced by: Robert Fryer and James Cresson
Directed by: Gene Saks
Screenplay by: Paul Zindel
Based on the Broadway Musical "Mame" by Jerome Lawrence & Robert E. Lee and Jerry Herman
Based on the Novel Auntie Mame by Patrick Dennis
and the Stage Play "Auntie Mame" by Lawrence and Lee
Music and Lyrics by: Jerry Herman
Musical Adaptation by: Jerry Herman
Production Designer: Robert F. Boyle
Music Supervision: Fred Werner
Orchestrations by: Ralph Burns
Dance Music Arrangements by: Peter Howard
Music Directors: Ralph Burns and Billy Byers
Song Score: Jerry Herman
Musical Numbers Choreographed by: Onna White
Art Director: Harold Michelson
Set Decorator: Marvin March
Costumes Designed by: Theadora Van Runkle
Mens' Wardrobe: Bruce Walkup, Robert Modes
Ladies' Wardrobe: Nancy McArdle, Renita Reachi
Makeup: Fred Williams
Miss Ball's Makeup: Hal King
Hair Stylist: Jean Burt Reilly
Miss Ball's Hair Styles: Irma Kusely
Sound: Al Overton, Jr.
Director of Photography: Philip Lathrop
Special Photographic Effects: Albert Whitlock
Filmed in Panavision, Technicolor
Film Editor: Maury Winetrobe
Photographed on location and at the Burbank Studios, Burbank, California

Cast: Lucille Ball [Mame Dennis], Beatrice Arthur [Vera Charles], Robert Preston [Beauregard], Bruce Davidson [Older Patrick], Kirby Furlong [Young Patrick], Jane Connell [Agnes Gooch], George Chiang [Ito], Joyce Van Patten [Sally Cato], Doria Cook [Gloria Upson], Don Porter [Mr. Upson], Audrey Christie [Mrs. Upson], John McGiver [Mr. Babcock], Bobbi Jordan [Pegeen], Patrick Laborteaux [Peter], Lucille Benson [Mother Burnside], Ruth McDevitt [Cousin Fan], Burt Mustin [Uncle Jeff], James Brodhead [Floorwalker], Leonard Stone [Stage Manager], Roger Price [Teacher], John Wheeler [Judge Bregoff], Ned Wertimer [Fred Kates], Alice Nunn [Fat Lady], Jerry Ayres [Bunny], Michelle Nichols [Midge], Eric Gordon [Boyd], Barbara Bosson [Emily]

Musical Program: [0:00] Overture (played by Orchestra behind titles, includes vocal of St. Bridget by Jane Connell); [0:06] It's Today (sung and danced by Lucille Ball and party guests); [0:12] It's Today (reprised by Lucille Ball and party guests); [0:19] Open a New Window (sung by Lucille Ball, Kirby Furlong and Chorus); [0:31] The Man in the Moon (sung by Beatrice Arthur, danced by Chorus); [0:39] My Best Girl (sung by Kirby Furlong and Lucille Ball); [0:50] We Need a Little Christmas (sung and danced by Lucille Ball, Jane Connell, George Chiang, Kirby Furlong); [0:58] We Need a Little Christmas (reprised by Lucille Ball, Jane Connell, George Chiang, Kirby Furlong, Robert Preston); [1:11] Mame (sung and danced by Robert Preston and Chorus, segment danced by Robert Preston and Lucille Ball, segment danced by Lucille Ball and Chorus - a very Onna White production number); [1:18] Loving You (sung by Robert Preston, danced by Preston and Lucille Ball); [1:22] The Letter (to the tune of "Mame," sung by Kirby Furlong, then by Bruce Davidson); [1:29] Bosom Buddies (sung by Lucille Ball and Beatrice Arthur); [1:36] Bosom Buddies (reprise sung and danced by Lucille Ball and Beatrice Arthur); [1:42] What Do I Do Now? (Gooch's Song) (sung by Jane Connell); [1:53] If He Walked into My Life (sung by Lucille Ball); [2:00] It's Today (short reprisal sung by Beatrice Arthur and Chorus); [2:03] Open a New Window (reprised by Chorus); [2:09] Open a New Window (reprised by Lucille Ball); [2:09] Mame (reprised by Chorus at end of filme)

Mammy
Warner Bros. / Vitaphone, 1930, B/W & Color, 83 minutes, ***
Released March, 1930

Jolson is a Minstrel Man with Meadows' Merry Minstrels. He is framed for attempted murder when one of the company players secretly loads a prop gun with real bullets. But who is the real bad guy? An interesting glimpse into the world of the Minstrel shows of yesteryear.

This film presents a minstrel show, along with backstage drama, just as it was in the early part of the 20th century. This is as close as we can ever come to seeing the real thing!

Apparently, this film originally had a color sequence. But there is no color sequence in the laserdisk print I have -- either it was trimmed from the print, or perhaps it was converted to black-and-white. The finale scene does have some faded color to it, so perhaps the color just faded over the years. At any rate, the print released to home video is all black-and-white.

Producer: Walter Morosco
Directed by: Michael Curtiz
Screen Play and Dialogue by: Gordon Rigby & Joseph Jackson
Based on the Play and Music "Mr. Bones" by Irving Berlin
Vitaphone Orchestra Conducted by: Louis Silvers
Song Score: Irving Berlin
Sound: George Groves
Photography by: Barney McGill
Color Scenes by Technicolor
Edited by: Owen Marks

Cast: Al Jolson [Al Fuller], Lois Moran [Nora], Lowell Sherman [Westy], Louise Dresser [Mother], Hobart Bosworth [Meadows], Tully Marshall [Slats], Mitchell Lewis [Tambo], Jack Curtis [Sheriff], Additional Cast: Stanley Fields [Pig Eyes], Ray Cooke [Props]

Musical Program: [0:00] Overture: "Let Me Sing and I'm Happy" (instrumental arrangement played by Orchestra behind titles); [0:00] Here We Are (instrumental arrangement played and marched by Meadows' Merry Minstrels); [0:03] Let Me Sing and I'm Happy (sung by Al Jolson); [0:05] (There'll Be A) Hot Time in the Old Town Tonight (excerpt played by Meadows' Merry Minstrels, fades to background); [0:07] Here We Are (sung by Al Jolson and Meadows' Merry Minstrels); [0:08] Who Paid the Rent for Mrs. Rip Van Winkle? (sung by Al Jolson); [0:12] When You and I Were Young Maggie (sung by the Big City Quartet); [0:14] Yes, We Have No Bananas (comic rendition sung to the tune of Miserere from the opera IL TROVATORE, sung by Al Jolson with Meadows' Merry Minstrels); [0:23] Here We Are (instrumental arrangement played by Meadows' Merry Minstrels); [0:25] My Mammy (instrumental arrangement played by Meadows' Merry Minstrels, partly sung by Al Jolson); [0:26] Here We Are (instrumental arrangement played and marched by Meadows' Merry Minstrels); [0:33] (Across the Breakfast Table) Looking at You (sung by Al Jolson); [0:37] (Across the Breakfast Table) Looking at You (reprised by Al Jolson); [0:39] Pretty Baby (excerpt sung and danced by Al Jolson); [0:49] Medley of old Minstrel numbers: Here We Are / Oh Dem Golden Slippers / In the Morning (sung by Meadows' Merry Minstrels); [0:52] Why Do They All Take the Night Boat to Albany (sung by Al Jolson); [0:58] Old Folks at Home (sung by Meadows' Merry Minstrels); [0:59] Let Me Sing and I'm Happy (sung by Al Jolson); [1:11] To My Mammy (sung by Al Jolson); [1:19] Here We Are (instrumental arrangement played and marched by Meadows' Merry Minstrels); [1:21] Let Me Sing and I'm Happy (sung by Al Jolson)


Al Jolson in "Mammy"

I had the good fortune to see this play on-stage by the Broadway touring company in the early 1970s. Yes, the stage version, complete with wonderful singers and fantastic sets, was much better than the movie. But, I like the movie version, too. Admittedly, one has to wonder about the casting, but O'Toole's interpretation is interesting, and his acting superb (as always). The principals seem a bit lost from time to time, but their acting and the powerful story seem to overcome the production's (relative) weaknesses, in my opinion. Sophia Loren's portrayal of Dulcinea is really quite good. It's the story one must focus on, as well as the music. Definitely worth watching!

Produced and Directed by: Arthur Hiller
Associate Producer: Saul Chaplin
Executive Producer: Alberto Grimaldi
Production Manager: Luciano Piperno
Screen Play by: Dale Wasserman
Based on the Musical Play "Man of La Mancha" written by Dale Wasserman
Original Production Staged by Albert Marre
Produced on the New York Stage by Albert W. Selden and Hal James
Suggested by the book Don Quixote by Miguel de Cervantes
Music by: Mitch Leigh
Lyrics by: Joe Darion
Music Adapted and Conducted by: Laurence Rosenthal
Musical Associate: Herbert Spencer
Choreography by: Gillian Lynne
Assistant Choreographer: Roy Jones
Sets and Costumes: Luciano Damiani
Set Dresser: Arrigo Breschi
Makeup: Charles Parker, Euclide Santoli and Giuseppe Annunziala
Hairdressing: Amalia Paolelli, Ramon Gow and Ada Palombi
Sound by: David Hildyard and Richard Portman
Photographed by: Giuseppe Rotunno
Special Effects: Adriano Pischiutta
Color by DeLuxe
Edited by: Robert C. Jones

Awards: Academy Award nomination for Best Song Score

Cast: Peter O'Toole [Don Quixote de La Mancha / Miguel Cervantes / Alonso Quijana], Sophia Loren [Dulcinea / Aldonza], James Coco [Sancho Panza], Harry Andrews [The Innkeeper / The Governor], John Castle [Sanson Carrasco / The Duke], Brian Blessed [Pedro], Ian Richardson [The Padre], Julie Gregg [Antonia], Rosalie Crutchley [The Housekeeper], Gino Conforti [The Barber], Marne Maitland [Captain of the Guard], Dorothy Sinclair [The Innkeeper's Wife], Miriam Acevedo [Fermina], Dominic Bartó, Poldo Bendandi, Peppi Borza, Mario Donen, Fred Evans, Francesco Ferrini, Paolo Gozlino, Teddy Green, Peter Johnston, Roy Jones, Connel Miles, Steffen Zacharias, Lou Zamprogna [Muleteers], Simon Gilbert [singing voice for Peter O'Toole]

Musical Program: [0:20] Man of La Mancha (I, Don Quixote) (sung by Simon Gilbert dubbing for Peter O'Toole and James Coco); [0:30] It's All the Same (sung by Sophia Loren); [0:39] Dulcinea (sung by Simon Gilbert dubbing for Peter O'Toole and Mens Chorus); [0:43] I'm Only Thinking of Him (sung by Julie Gregg, Rosalie Crutchley, and Ian Richardson); [0:52] I Really Like Him (sung by James Coco); [0:55] The Barber's Song (sung by Gino Conforti); [0:58] Golden Helmet of Mambrino (sung by Simon Gilbert dubbing for Peter O'Toole, James Coco, Gino Conforti, and Mens Chorus); [1:09] Little Bird, Little Bird (sung by Mens Chorus); [1:16] The Impossible Dream (The Quest) (sung by Simon Gilbert dubbing for Peter O'Toole); [1:25] Dubbing (Knight of the Woeful Countenance) (sung by Harry Andrews, Sophia Loren, James Coco); [1:31] The Impossible Dream (The Quest) (reprise, sung by Simon Gilbert dubbing for Peter O'Toole); [1:35] Man of La Mancha (I, Don Quixote) (reprise, sung by Simon Gilbert dubbing for Peter O'Toole and James Coco); [1:37] Aldonza (sung by Sophia Loren); [1:47] A Little Gossip (sung by James Coco); [1:55] Dulcinea (reprise, sung by Sophia Loren); [1:56] The Impossible Dream (The Quest) (reprise, sung by Simon Gilbert dubbing for Peter O'Toole and Sophia Loren); [1:59] The Psalm (sung by Ian Richardson); [1:31] The Impossible Dream (The Quest) (reprise, sung by Sophia Loren and Prisoners)

The Man Who Knew Too Much
Paramount, 1956, Color, 120 minutes
Released April, 1956 (France)
Released June, 1956 (USA)

Dr. Ben McKenna, his wife Jo and their son Hank are on a touring holiday of Africa when they meet the mysterious Louis Bernard on a bus. The next day Bernard is murdered in the local marketplace, but before he dies he manages to reveal details of an assassination about to take place in London. Fearing that their plot will be revealed, the assassins kidnap Hank in order to keep the McKenna's silent. Ben and Jo go to London and take matters into their own hands.

Of course this is not a musical, but it is the movie for which the song "Whatever Will Be, Will Be (Que Sera Sera)" was written. Doris Day sings it here for the first time. The song would become her signature song. And the music plays an important - if not essential - role in the film's climax.

Producer: Alfred Hitchcock
Associate Producer: Herbert Coleman
Director: Alfred Hitchcock
Screenplay: Angus McPhail, John Michael Hayes
(based on a story by Charles Bennett and D. B. Wyndham-Lewis)
Original Song Score: Ray Evans and Jay Livingston
Background Score: Bernard Herrmann
Art Direction: Henry Bumstead, Hal Pereira
Set Decoration: Sam Comer, Arthur Krams
Cinematography: Robert Burks
Editor: George Tomasini

Cast: James Stewart [Dr. Ben McKenna], Doris Day [Jo McKenna], Brenda de Banzie [Lucy Drayton], Bernard Miles [Edward Drayton], Ralph Truman [Buchanan], Daniel Gelin [Louis Bernard], Mogens Wieth [Ambassador], Alan Mowbray [Val Parnell], Hillary Brooke [Jan Peterson], Christopher Olsen [Hank McKenna], Reggie Nalder [Rien], Richard Wattis [Assistant Manager], Noel Willman [Woburn], Alix Talton [Helen Parnell], Yves Brainville [Police Inspector], Carolyn Jones [Cindy Fontaine], Bess Flowers [Albert Hall Attendee], Alfred Hitchcock [Cameo as Man in Morocco Marketplace]

Musical Program: Que Sera, Sera (Whatever Will Be, Will Be) (sung by Doris Day and Christopher Olsen in Hotel Room); Storm Cloud Cantata (At Albert Hall - sung by Covent Garden Choir, Solist Barbara Hewitt, with the London Symphony Orchestra Conducted by Bernard Herrmann); Que Sera, Sera (Whatever Will Be, Will Be) (Doris Day at Embassy); We'll Love Again (sung by Doris Day in background at Embassy)

Marjorie Morningstar
Beachwold Pictures / Warner Bros., 1958, Color, 123 minutes, ***
Released April, 1958

Natalie Wood turns in a captivating performance as Herman Wouk's heroine in this faithful adaptation of his novel. An aspiring actress with stars in her eyes discovers only rejection and heartbreak along the road to fame and fortune. Co-stars Gene Kelly, Claire Trevor and Martin Balsam.

A very good film. Not really a musical, but there is some singing and dancing in it. My only problem with this film is that I think Gene Kelly gets carried away with the self-pity, and it puts a bit of a damper on the whole production. But, overall the movie is fun and enjoyable with really great performances by Natalie Wood, Claire Trevor, Everett Sloane and Ed Wynn.

Produced by: Milton Sperling
Directed by: Irving Rapper
Assistant Director: Don Page
Screen Play by: Everett Freeman
Based upon the novel Marjorie Morningstar by Herman Wouk
Song: "A Very Precious Love" music by Sammy Fain, lyrics by Paul Francis Webster
Music Composed by: Max Steiner
Vocal Arrangements: Lyn Murray
Orchestrations by: Murray Cutter, Gus Levene
Musical Supervision by: Ray Heindorf
Dances and Musical Numbers Staged by: Jack Baker
Art Director: Malcolm Bert
Set Decorator: Ralph Hurst
Costume Consultant: Howard Shoup
Makeup Supervisor: Gordon Bau
Sound by: Stanley Jones
Director of Photography: Harry Stradling
Film Editor: Folmar Blangsted
Interior scenes photographed at Schroon Manor and Camp Cayuga Boys and Girls Camp, Schroon Lake, New York

Awards: Academy Award nomination for Best Song ("A Very Precious Love")

Cast: Gene Kelly [Noel Airman], Natalie Wood [Marjorie Morgenstern], Claire Trevor [Rose Morgenstern], Everett Sloane [Arnold Morgenstern], Martin Milner [Wally], Ed Wynn [Uncle Samson], Carolyn Jones [Marsha Zelenko], George Tobias [Greech], Martin Balsam [Dr. David Harris], Jesse White [Lou Michaelson], Edd Byrnes [Sandy Lamm], Paul Picerni [Phillip Berman], Alan Reed [Puddles Podell], Ruta Lee [Imogene], Eddie Foster [Carlos], Patricia Denise [Karen], Howard Best [Seth], Lester Dorr [Elevator Operator], Carl Sklover [Leon Lamm], Jean Vachon [Mary Lamm], Elizabeth Harrower [Miss Kimble], Guy Raymond [Mr. Klabber], Leslie Bradley [Blair], Maida Severn [Tonia Zelenko], Fay Nuell [Helen Harris], Fred Rapport [Nate], Harry Seymour [Frank], Shelley Fabares [Seth's Girl Friend], Walter Clinton [Mr. Zelenko], Pierre Watkin [Civil Official], Reginald Sheffield [Clerk], Sandy Livingston [Betsy], Peter Brown [Alec], Gail Ganley [Wally's Girl Friend], Russell Ash [Harry Morgenstern], Rad Fulton [Romeo]

Musical Program: [0:08] Jewish Hymn; [0:17] O Tamarack (sung by Girls at Camp Tamarack); [0:19] Southwind Blues (?) from Princess Jones (danced by Karen and Bob, then danced by Gene Kelly and Karen); [0:24] A Very Precious Love (sung by Gene Kelly at the piano [onscreen], this melody is also used as a theme in the background score); [0:47] Fiesta: Rock Cucaracha (danced by Natalie Wood and Ensemble); [0:58] A Very Precious Love (sung by guests at beach party); [1:59] A Very Precious Love (sung by Gene Kelly at the piano [onscreen])

They don't get any better than this! It's practically perfect in every way. Great story, great music, great acting... Intelligent casting of Wynn, Owen, Lanchester, Baddeley, Darwell and Treacher lends an aura of authentic old-world charm, critical to the mood of the story. The Chimney Sweep dance is one of the best song and dance numbers ever filmed, and the animated scene is Disney at their best. On a sadder note, this film marks the end of a long and successful acting career for Jane Darwell (the Bird Lady). This was her last film; she died 3 years later, making the scene "Feed the Birds" even more poignant since then.

A true classic that has withstood the test of time. I've watched it regularly, and I've never grown tired of it!

Setting: London, 1910

Producer: Walt Disney
Co-Producer: Bill Walsh
Directed by: Robert Stevenson
Assistant Directors: Joseph L. McEveety, Paul Feiner
Screenplay by: Bill Walsh, Don DaGradi
Based on the "Mary Poppins" books by P. L. Travers
Music and Lyrics by: Richard M. Sherman and Robert B. Sherman
Music Supervised, Arranged and Conducted by: Irwin Kostal
Choreography by : Marc Breaux and Dee Dee Wood
Art Directors: Carroll Clark, William H. Tuntke
Set Decorators: Emile Kuri, Hal Gausman
Costumes and Design Consultant: Tony Walton
Costumes Executed by: Bill Thomas
Consultant: P. L. Travers
Make-Up: Pat McNalley
Hair Stylist: La Rue Matheron
Special Effects: Peter Ellenshaw, Eustace Lycett, Robert A. Mattey
Animation: Franklin Thomas, Hal Ambro, Oliver M. Johnston Jr., Milt Kahl, Ward Kimball, Eric Larson, John Lounsbery, Hamilton Luske, Cliff Nordberg
Sound Supervisor: Rober O. Cook
Director of Photography: Edward Colman
Filmed in Technicolor
Film Editor: Cotton Warburton

Awards: Winner of 5 Academy Awards: Best Actress (Julie Andrews), Best Song ("Chim Chim Cheree"), Best Original Score (Sherman Bros.), Best Film Editing (Cotton Warburton) and Best Visual Effects (Peter Ellenshaw, Eustace Lycett, Hamilton Luske); Academy Award nominations for: Best Picture, Best Director, Best Adapted Screenplay (Bill Walsh and Don DaGradi), Best Color Cinematography (Edward Colman), Best Adapted Score (Irwin Kostal), Best Art Direction-Set Decoration (Color), Best Costume Design (Color), Best Sound

Cast: Julie Andrews [Mary Poppins], Dick Van Dyke [Bert], David Tomlinson [Mr. Banks], Glynis Johns [Mrs. Banks], Hermione Baddeley, Reta Shaw [The Domestics], Karen Dotrice, Matthew Garber [The Children], Elsa Lanchester [Katie Nanna], Arthur Treacher [The Constable], Reginald Owen [Admiral Boom], Ed Wynn [Uncle Albert], Jane Darwell [The Bird Woman], Arthur Malet [Mr. Dawes, Jr.], Navckid Keyd (Dick Van Dyke's name scrambled) [Mr. Dawes, Sr.], Additional Cast: Cyril Delevanti [Mr. Grubbs], Lester Matthews [Mr. Tomes], Clive L. Halliday [Mr. Mousely], Donald Barclay [Mr. Binnacle], Marjorie Bennett [Miss Lark], Alma Lawton [Mrs. Corry], Marjorie Eaton [Miss Persimmon], Doris Lloyd [Depositor], Major Sam Harris [Citizen]

Musical Program: [0:00] Overture (played by Ochrestra behind Credits, includes vocal excerpt of "Chim Chim Cheree" by Chorus); [0:03] Jolly Holiday / Chim Chim Cheree / Step in Time (Dick Van Dyke's one-man band bit); [0:08] Sister Suffragette (sung by Glynis Johns); [0:13] The Life I Lead (sung by David Tomlinson); [0:18] The Life I Lead (continued by David Tomlinson); [0:19] The Perfect Nanny (sung by Karen Dotrice and Matthew Garber); [0:32] A Spoonful of Sugar (sung by Julie Andrews); [0:37] Pavement Artist (Chim Chim Cheree); [0:42] Animated sequence: Jolly Holiday (sung and danced by Dick Van Dyke, Julie Andrews, animated farm animals and penguins); [0:57] Supercalifragilisticexpialidocious (sung and danced by Dick Van Dyke, Julie Andrews and Chorus); End of animated sequence [0:59] Chim Chim Cheree (short reprisal by Dick Van Dyke); [1:02] Stay Awake (sung by Julie Andrews); [1:05] Supercalifragilisticexpialidocious (reprised by Karen Dotrice, Matthew Garber, Hermione Baddeley and Reta Shaw); [1:10] I Love to Laugh (Ed Wynn, Julie Andrews and Dick Van Dyke); [1:20] A British Bank (sung by David Tomlinson and Julie Andrews); [1:24] Feed the Birds (Tuppence a Bag) (sung by Julie Andrews and Chorus); [1:30] Fidelity Fiduciary Bank (sung by Dick Van Dyke, David Tomlinson and Bankers); [1:39] Chim Chim Cheree (sung by Dick Van Dyke, Karen Dotrice and Matthew Garber); [1:47] Chim Chim Cheree (reprised by Dick Van Dyke and Julie Andrews); [1:47] Step in Time (sung and danced by Dick Van Dyke, Julie Andrews and Chimney Sweeps with Hermione Baddeley and Glynis Johns -- great number!); [1:57] A Man Has Dreams / The Life I Lead / A Spoonful of Sugar (sung by David Tomlinson and Dick Van Dyke); [2:14] Let's Go Fly a Kite (sung by David Tomlinson, Karen Dotrice, Matthew Garber, Glynis Johns, Dick Van Dyke and Chorus); [2:17] Let's Go Fly a Kite (played by Orchestra and sung by Chorus behind end credits)

The entire story is told as a flashback as aging Miss Morrison (Jeanette) tells young Barbara Roberts (Lynne Carver) the story of her life. Marcia Mornay and Paul Addison met in Paris, and fell in love. Marcia was a major opera star, and Paul was a music student under the tutelage of August Archipenko (Herman Bing). Marcia was fanatically loyal to her mentor and manager, Nicolai Nazaroff (Barrymore), and was afraid to let herself fall in love with Paul. But, they had a number of secret outings together, and she fell in love with him in spite of herself. But when Nicolai asked Marcia to marry him, she agreed, more out of fear than love. But she never forgot Paul, and years later met him again when he costarred in an opera in New York.

I won't spoil the ending. The film is somewhat remiscent of "Svengali," especially with John Barrymore in the role of Nicolai. It's a wonderful and moving film! Probably the best of all the Jeanette MacDonald / Nelson Eddy films. If you're planning on watching only one "Eddy-Mac," make it this one!

Produced by: Hunt Stromberg
Directed by: Robert Z. Leonard
Screen Play by: Noel Langley
Based on the Play by Rida Johnson Young, Music by Sigmund Romberg
Special Lyrics by: Bob Wright and Chet Forrest
French Adaptation: Gilles Guilbert
Opera Sequences: William von Wymetal
Russian Opera based on: Fifth Symphony by Tschaikowsky
Dances Staged by: Val Raset
Musical Adaptation and Direction by: Herbert Stothart
Musical Score: Herbert Stothart and Edward Ward
Art Director: Cedric Gibbons
Associates: Frederic Hope, Edwin B. Willis
Gowns by: Adrian
Recording Director: Douglas Shearer
Photographed by: Oliver T. Marsh
Montage Effects by: Slavko Vorkapich
Film Editor: Conrad A. Nervig

Awards: Academy Award nominations for Best Score and Best Sound

Cast: Jeanette MacDonald ["Miss Morrison" / Marcia Mornay], Nelson Eddy [Paul Allison], John Barrymore [Nazaroff], Herman Bing [Archipenko], Tom Brown [Kip], The Don Cossack Chorus [vocals], Additional Cast: Lynne Carver [Barbara Roberts], Rafaela Ottiano [Ellen], Charles Judels [Cabby], Paul Porcasi [Composer Trentini], Sig Rumann [Franchon], Walter Kingsford [Rudyard], Edgar Norton [Secretary], Guy Bates Post [Emperor Louis Napoleon], Iphigenie Castiglioni [Empress Eugenie], Anna Demetrio [Madame Fanchon], Frank Puglia [Orchestra Conductor], Adia Kuznetzoff [Czaritza's Minister - Student at Cafe], Howard Hickman, Harry Hayden, Harry Davenport and Robert C. Fischer [Opera Directors], Harlan Briggs [Bearded Director], Frank Sheridan [O'Brien, a director], Billy Gilbert [Drunk], Ivan Lebedeff [Empress's Dinner Companion], Leonid Kinskey [Student in Bar], Don Cossack Chorus [Singers], Mariska Aldrich [Opera Singer], Alexander Schoenberg [French Proprietor], Henry Roquemore [Publicity Man], Russell Hicks [Bulliet, the Voice Coach]

Musical Program: [0:00] Overture (played by Orchestra behind titles); [0:01] May Pole (cited as "Now Is the Month of Maying" by some sources) (sung by Childrens Chorus at May Day Festival); [0:08] Will You Remember (Sweetheart) (excerpt sung by Nelson Eddy); [0:12] Mazurka (played by Orchestra, danced by guests of Emperor Louis Napoleon); [0:15] Napoleonic Waltz (danced by guests of Emperor Louis Napoleon); [0:17] Les Filles de Cadiz (sung by Jeanette MacDonald for the Emperor Louis Napoleon); [0:21] Le Regiment de Sambre et Meuse (sung by Jeanette MacDonald and The Don Cossack Chorus -- very rousing number!); [0:34] Students' Drinking Song (Part 1: Plantons la vigne) (sung by Nelson Eddy and Chorus); [0:36] Students' Drinking Song (Part 2: Vive l'Opera) (sung by Nelson Eddy and Chorus); [0:42] Virginia Ham and Eggs (or simply "Ham and Eggs") (contains elements of Caro Nome, Largo al Factotum, La Donna e Mobile, O Du Mein Holder Abendstern, Anvil Chorus, William Tell Overture (and maybe more), sung by Nelson Eddy and Chorus); [0:56] Carry Me Back to Ole Virginny (sung by Nelson Eddy and Jeanette MacDonald); [1:03] Excerpts from LES HUGEUNOTS: Nobles Seigneurs, Salut (sung by Mens Chorus) / Une Dame Noble et Sage (Page's Aria) (sung by Jeanette MacDonald); [1:15] Santa Lucia (sung by unidentified male singer, Nelson Eddy and Jeanette MacDonald at fair); [1:17] Will You Remember (Sweetheart) (arranged as a waltz, danced by Jeanette MacDonald, Nelson Eddy and May Day Chorus); [1:20] Will You Remember (Sweetheart) (sung by Nelson Eddy); [1:25] Will You Remember (Sweetheart) (sung by Jeanette MacDonald and Nelson Eddy); [1:28] Montage of excerpts from various operas, including "Miserere," "Liebestod," "Sempre Libera" and The Last Rose of Summer (used in the opera MARTHA) and Chi mi frena ("The Sextet" from the opera LUCIA DI LAMMERMOOR, sung by Jeanette MacDonald); [1:42] Scene from Czaritza (opera sequence written specifically for this film, based on Fifth Symphony by Tschaikowsky, sung by Jeanette MacDonald, Nelson Eddy and Ensemble); [2:08] Will You Remember (Sweetheart) (sung by Nelson Eddy and Jeanette MacDonald and Chorus in final scene); There is considerable confusion in the literature about some of the songs written for the film, including "May Pole," "Students' Drinking Song," the opera written for the film "Czarita," and others. I have tried to indicate a sort of majority opinion, but the citations here may be in error.

Meet Me in Las Vegas
MGM, 1956, Color, 112 minutes
Released March, 1956

Rancher Dan Dailey is unsuccessful at the casinos until he finds a good luck charm, ballerina Cyd Charisse, in this star-studded musical salute to the City of Neon. With Agnes Moorehead, Paul Henreid, and cameos ranging from Frank Sinatra to Peter Lorre. Songs include "If You Can Dream," "The Girl with the Yaller Shoes," and "Frankie and Johnny" (sung by Sammy Davis, Jr.).

"In the early days of our contry's history, the West was a place from which men took vast quantities of gold. Now -- at last -- they're bringing it all back."

Produced by: Joe Pasternak
Directed by: Roy Rowland
Assistant Director: George Rhein
Screen Story and Screen Play by: Isobel Lennart
Songs: Music by Nicholas Brodszky, Lyrics by Sammy Cahn
Music Supervised and Conducted by: George Stoll
Music to "Frankie & Johnny" Ballet Adapted by: Johnny Green
Lena Horne's Number Arranged and Conducted by: Lennie Hayton
Orchestrations by: Albert Sendrey and Skip Martin
Vocal Supervision by: Robert Tucker
Music Coordinator: Irving Aaronson
Dances and Musical Numbers Created and Staged by: Hermes Pan
"Rehearsal Ballet" and "Sleeping Beauty Ballet" Created and Staged by Eugene Loring
Art Directors: Cedric Gibbons and Urie McCleary
Set Decorations: Edwin B. Willis, Richard Pefferle
Costumes by: Helen Rose
Hair Styles by: Sydney Guilaroff
Make-Up Created by: William Tuttle
Recording Supervisor: Dr. Wesley C. Miller
Director of Photography: Robert Bronner
Special Effects: Warren Newcombe
Filmed in CinemaScope, Eastman Color
Color Consultant: Charles K. Hagedon
Film Editor: Albert Akst

Awards: Academy Award nomination for Best Score, Musical (George Stoll and Johnny Green)

Cast: Dan Dailey [Chuck Rodwell], Cyd Charisse [Maria Corvier], Agnes Moorehead [Miss Hattie], Lili Darvas [Sari Hatvani], Jim Backus [Tom Culdane], Oscar Karlweis [Loisi], Liliane Montevicchi [Lilli], Cara Williams [Kelly Donavan], George Kerris [Young Groom], Betty Lynn [Young Bride], The Slate Brothers [Themselves], Pete Rugolo [Conductor], John Brascia [Specialty Dancer], John Harding [Worried Boss], Benny Rubin [Croupier], Jack Daly [Meek Husband], Henny Backus [Bossy Wife], Jerry Colonna [MC at Silver Slipper], Paul Henreid [Maria's Manager], Frankie Laine [Guest Star at Sands], Mitsuko Sawamura [Japanese Girl], Marc Wilder [Prince Charming], Guests: Frank Sinatra, Debbie Reynolds, Tony Martin, Lena Horne, Peter Lorre, Vic Damone, Elaine Stewart, Pier Angeli

Musical Program: [0:00] Meet Me in Las Vegas (sung before and behind titles by The Four Aces); [0:01] If You Can Dream (sung behind titles and into openeing scene by The Four Aces and Chorus); [0:06] Rehearsal Ballet (danced by Cyd Charisse and Ensemble); [0:11] The Gal with the Yaller Shoes (sung by Dan Dailey); [0:26] If You Can Dream (sung by Lena Horne); [0:34] I Refuse to Rock 'n' Roll (sung by Cara Williams); [0:38] My Lucky Charm (sung by Jerry Colonna, sung and danced by Chorus Girls joined by Cyd Charisse); [0:53] Sleeping Beauty Ballet (excerpt danced by Cyd Charisse and Ensemble); [1:00] unidentified number (sung in Japanese by Mitsuko Sawamura); [1:02] My Lucky Charm (sung and danced by Dan Dailey and Mitsuko Sawamura); [1:16] The Gal with the Yaller Shoes (sung by Dan Dailey and Ranch Hands, danced by Dailey, Ranch Hands, Cyd Charisse and Agnes Moorehead); [1:31] Hell Hath No Fury (sung by Frankie Laine and Chorus, danced by Chorus Girls); [1:41] Frankie and Johnny (with special lyrics sung by Sammy Davis, Jr. and danced by Cyd Charisse and Ensemble); [1:49] If You Can Dream (sung by the Four Aces offscreen); [1:51] The Gal with the Yaller Shoes (excerpt sung by the Four Aces offscreen behind end credits)

The story of the Smith family in turn-of-the-century (not this century -- the other one) St. Louis, eagerly anticipating the World's Fair and nearly having to uproot themselves and move to New York. One of Judy Garland's best, and one of the best musicals of all time. Judy introduces the classic "Have Yourself a Merry Little Christmas," and "The Trolley Song." Margaret O'Brien won an Oscar for her portrayal of Tootie Smith. Wonderful film directed by the legendary Vincente Minnelli. A must-see!

Produced by: Arthur Freed
Directed by: Vincente Minnelli
Screen Play by: Irving Brecher and Fred Finklehoffe
Based on the Book by: Sally Benson
"The Trolley Song," "The Boy Next Door," "Skip to My Lou," "Have Yourself a Merry Little Christmas" (by) Hugh Martin, Ralph Blane
Musical Adaptation: Roger Edens
Musical Direction: Georgie Stoll
Orchestrations: Conrad Salinger
Dance Direction: Charles Walters
Art Direction: Cedric Gibbons, Lemuel Ayers, Jack Martin Smith
Set Decorations: Edwin B. Willis
Associate: Paul Huldschinsky
Costume Supervision: Irene
Costumes Designed by: Sharaff
Make-Up Created by: Jack Dawn
Recording Director: Douglas Shearer
Director of Photography: George Folsey
Photographed in Technicolor
Technicolor Color Director: Natalie Kalmus
Associate: Henri Jaffa
Film Editor: Albert Akst

Awards: Academy Award Nominations for Best Screenplay (Irving Brecher and Fred F. Finkelhoffe); Best Color Cinematography (George Folsey); Best Score - Musical (George Stoll) and Best Song ("The Trolley Song")

Cast: Judy Garland [Esther Smith], Margaret O'Brien ["Tootie" Smith], Mary Astor [Mrs. Anna Smith], Lucille Bremer [Rose Smith], Leon Ames [Mr. Alonzo Smith], Tom Drake [John Truett], Marjorie Main [Katie (Maid)], Harry Davenport [Grandpa], June Lockhart [Lucille Ballard], Henry H. Daniels, Jr. [Lon Smith, Jr.], Joan Carroll [Agnes Smith], Hugh Marlowe [Colonel Darly], Robert Sully [Warren Sheffield], Chill Wills [Mr. Neely], Additional Cast: Donald Curtis [Dr. Terry], Mary Jo Ellis [Ida Boothby], Robert Emmet O'Connor [Motorman], Darryl Hickman [Johnny Tevis], Leonard Walker [Conductor], Victor Kilian [Baggage Man], John Phipps [Mailman], Mayo Newhall [Mr. Braukoff], Major Sam Harris [Mr. March], Sidney Barnes [Hugo Borvis], Myron Tobias [George], Kenneth Donner [Clinton Badger], Helen Gilbert [Girl on Trolley], Arthur Freed [singing voice for Leon Ames], Denny Markas [singing voice for Mary Astor]

Musical Program: [0:00] Overture: "Meet Me in St. Louis, Louis" (sung by Chorus) / "The Boy Next Door" (played by Orchestra behind titles); [0:03] Meet Me in St. Louis, Louis (excerpt sung by Joan Carroll, Harry Davenport, Judy Garland and Chorus); [0:08] The Boy Next Door (sung by Judy Garland); [0:15] Meet Me in St. Louis, Louis (sung by Judy Garland and Lucille Bremer); [0:29] Skip to My Lou (sung and danced by Judy Gar